How to Read Chinese Poetry A Guided Anthology

102 t He Han Dy na s t y

35. Zhang Qi, “Han yuefu ‘Moshang sang’ xintan” (A New Study of the Han Music Bureau
    Poem “Mulberry Along the Lane”), Lanzhou xueyuan xuebao 3 (1995): 94–95.


36. Frankel, “Some Characteristics of Oral Narrative Poetry,” 104–105.


37. Frankel, “Some Characteristics of Oral Narrative Poetry,” 105.


38. Birrell, “Mythmaking and Yüeh-fu,” 26–27.

suggest eD reaDings

e ng l i sH

Birrell, M. Anne. “Mythmaking and Yüeh-fu: Popular Songs and Ballads of Early Imperial China.”

Journal of the American Oriental Society 109, no. 2 (1989): 223–235.

———. Popular Songs and Ballads of Han China. Honolulu: University of Hawai‘i Press, 1993.

Cai, Zong-qi. The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early

Chinese Pentasyllabic Poetry. Ann Arbor: Center for Chinese Studies, University of Michigan,

1996.

Egan, Charles. “Reconsidering the Role of Folk Songs in Pre-T’ang Yüeh-fu Development.” T’oung

Pao 86, nos. 1–3 (2000): 47–99.

———. “Were Yüeh-fu Ever Folk Songs? Reconsidering the Relevance of Oral Theory and

Balladry Analogies.” Chinese Literature: Essays, Articles, Reviews 22 (2000): 31–66.

Frankel, Hans. “Yüeh-fu Poetry.” In Studies in Chinese Literary Genres, edited by Cyril Birch, 69–

107. Berkeley: University of California Press, 1974.
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     Wang Yunxi 王運熙. Yuefu shi luncong 樂府詩論叢 (Essays on Music Bureau Poetry). 1958. Reprint,
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     Xiao Difei 蕭滌非. Han Wei Liuchao yuefu wenxue shi 漢魏六朝樂府文學史 (The Literary History of
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     Yao Daye 姚大業. Han yuefu xiaolun 漢樂府小論 (Essays on Han Music Bureau Poetry). Tianjin:
     Baiyi wenyi chubanshe, 1984.
     Zhang Yongxin 張永鑫. Han yuefu yanjiu 漢樂府研究 (A Study of Han Music Bureau Poetry).
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