66 20 July 2019I http://www.amateurphotographer.co.ukI subscribe 0330 333 1113
Legends
of photography
I
n1907,aged10,Erwin
Blumenfeldreceived
hisfirstcamera;it was
fromhisUncleCarl.He
explained,‘Myreallifestarted
withthediscoveryofchemical
magic,theplayoflightand
shade,thetwo-edgedproblem
of negative and positive.
Erwin
Blumenfeld
I hada goodphotographer’s
eyerightfromthestart.’
ButBlumenfeld’sjourney
tobecominga world-class
photographerwasfar
fromsmooth.
Hithardbythedeaths
ofhisfather,fromsyphilis,
and brother Heinz, at war,
In 1936 hemovedto
Parisand,thankstoa
recommendationfrom
legendaryfashion
photographerCecilBeaton,
Blumenfeldbeganshootingfor
FrenchVog uein1938.Owing
tohisJewishheritage,hewas
internedinconcentration
campsintheearlyyearsof
theSecondWorldWar,buthe
finallymanagedtomovehis
familytotheUSA,arriving in
August1941.
Almostimmediately
Blumenfeldgotworkfrom
Harper’sBazaarandshareda
NewYorkCitystudiowiththe
Hungary-bornphotographer
MartinMunkácsi.After
establishinghisownNYC
studioin1943,Blumenfeld
becamesoughtafterasa
fashionphotographerandshot
forHarper’sBazaar,Look,
LIFE,Vog ueandmanymore.
Inthemid-1950sheveered
towardsadvertisingwork
andshotforthelikesof
L’Oréal,ElizabethArden
andHelenaRubenstein.
The‘fiveglove’imageshown
herewasshotforVog uein
1950 and– liketheworkofhis
contemporariessuchasIrving
Penn,NormanParkinsonand
HorstP Horst– it couldeasily
havebeenshotyesterday,such
is thetimelessnatureof
Blumenfeld’sphotographs.
Blumenfelddiedofa
self-inducedheartattack
inRomein1969,buthalfa
centurylaterhedeserveshis
placeamongthetruegreatsof
fashionphotography.Ina 1958
issueofUSmagazinePopular
Photography, Blumenfeld
wrote,‘CurrentlyI am
absorbedinmagazineand
advertisingillustrationand
I remainastrueanamateur
asI wasat10.Thewonderthat
thecameracanreallyproduce
anythingshowntoit still
astoundsme.’Hisinnovative
bodyofworkstillastounds
today,mainlythrough
regularexhibitions
around the world.
SteveFaircloughonthecareerthat
earnedErwinBlumenfelda placeinthe
pantheon of fashion photographers
Blumenfeldplannedtodesert
theGermanarmybeforebeing
reportedbyhisUncleBruno.
In 1918 hemovedtothe
Netherlandsand,after
dalliancesintheworldsof
fashionandDadaism,in
1921 hesetupa leathergoods
shopinAmsterdamand
startedtakingphotographs,
whichhedevelopedina
darkroomthathediscovered
atthebackoftheshop.
Hecontinuedtoliveinthe
Netherlandsforsomeyears
andhadhisfirstexhibitionsin
1932 and 1934 inAmsterdam.
In1935,hisfirstpublished
photograph– a portraitofTara
Twain– wasinArtsetMétiers
Graphiquesmagazine,butit
wasonlyafterthebankruptcy
ofhisleathershopthathe
decidedtoturn to photography
full time.
© ERWIN BLUMENFELD/CONDÉ NAST VIA GETT Y IMAGES
© TIME & LIFE PICTURES
Modelsitting,
wearingfivegloves,
one length or another
‘Itcouldeasily
havebeenshot
yesterday,suchisthe
timelessnatureof
Blumenfeld’s work’