Forest Products, Livelihoods and Conservation

(Darren Dugan) #1
208 The Pterocarpus angolensis DC. based woodcraft industry in the Bushbuckridge district

per annum in 1993 (Shackleton 1996). Desmet et al. (1996) report trade in P.
angolensis carvings and furniture amounting to over R5 million annually for
Mpumalanga and Limpopo provinces. Although the industry is small, the impacts
on the resource base and the conservation and development consequences
are no different to other countries, while the situation is made more complex
by the restricted distribution of many of the key carving species.

Annual value Annual value of Annual value of
of South African woodcarvings woodcarvings from
woodcarvings from southern Africa west and east Africa sold
Informal Formal sold in the informal in the informal sector
sector sector sector in South Africa in South Africa
R2.48 million* R4.89 million R5.8 million R23.1 million

Table 1. The South African woodcarving industry in perspective: the value of
the domestic industry relative to imports from elsewhere in Africa

* Note: The authors believe this value to be an underestimate as it was based on a very
conservative estimate of the number of woodcarvers in South Africa. In 1998 US$1 = R6.
Source: Newton 1998.

Regional and national context and production strategies
The Bushbuckridge woodcraft industry is imbedded in a wider, rapidly changing
and complex craft industry that links the formal sector (factories and shops)
with the informal sector (local producers, roadside stalls, flea markets) at
sourcing, production and sales levels (Steenkamp 1999a). South Africa is both
a producer of wood products and an importer, with the volume of imports
increasing dramatically in the last five years following the lifting of trade
embargoes (Steenkamp 1999a). Domestic production varies from low technology
household or group-based enterprises that harvest their own wood (as described
here) to large-scale, urban-based factories that acquire wood via timber
merchants and produce machine made goods. All these businesses and their
products compete for a place in the market.
Within the informal sector, two main categories of woodcraft producers
have been identified based on their production and marketing strategies—
roadside carver vendors and home carvers (Steenkamp 1999a, b). The
Bushbuckridge producers described in this paper fall almost entirely into the
latter category. By contrast, carvers from neighbouring Hazyview and Nsikazi
typically are carver vendors. These two groups differ significantly in their
modes of production, products, marketing strategies and types of wood used
(Table 2) (Steenkamp 1999a).

THE RAW PRODUCT AND RESOURCE BASE

Sources of wood
Bushbuckridge producers obtain their wood primarily from wild populations in
the communal lands, although some illegal harvesting occurs within

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