THE SERPENT OF ETERNITY
53
beattributed to
the politicalgenius ofthe Buddhist
leadersin
adapting
theirpropaganda to the traditional religious
observ-
ances
of Indian daily life. The
thought of the nativity of
Buddhaasthesunrise,ordawn ofa
newspirituallifeforevery
humanbeing, quietlytook the place
of the original Brahmi
concept,
theVedic Creatorwhoopenedthepetalsoftheworld-
lotus.
TheSangha,orthecongregationofthefaithful,meeting
under the village council tree,was equivalent to Vishnu, the
sunat noon—the Preserverwhosemystic
treeor
pillar
upheld
the universe. Siva,symbolised
bythe sunat itssettingand
when below the horizon, who
was the Dissolver of life and
apotheosis of the Vedic philosophy of the cosmos, became
Dharma—the Buddhist law of daily life—superseding the
Brahmanlaw ofsacrificialrites,and pointingthewayto Pari-
Nirvana when the Ego, released from the chain ofhuman
existences,
was merged in the cosmic ocean. Nirvana and
Pari-Nirvana were the two ends of the upright arm of the
cosmic cross,
the pole or axis of the universe, which was
Vishnu's pillar, or
churning-stick,
or Siva's
lingam. It was
worshipped byBuddhistsas amysticfiery
pillar.
The poets and philosophers ofVedic India
pictured
the
night sky
spannedbythe Milky Way, with the seven
bright
planets of the
Great Bear glittering athwart it, as Vishnu-
Nariyanasleepingonthe
seven-headed Serpent of Eternity,
whose
coils encircled the universe.
These planets had once
been the
seven great Rishis who taught the Aryans divine
wisdom. Buddhist
Indiaadoptedthe samesymbolismwitha
differentconnotation. The
sevengreat Rishiswerethe seven
Buddhas.
The serpent was
the cycle of countless existences
through which they
had at last attained to
Pari-Nirvana.
These
were narrated
in the jitakas, as told byvillage
story-
tellers
on starlight nights
under the mystic tree of Vishnu.
The kathaks, or
professional story-tellers, were
probably the
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