74
THE kARLE
CHAITYA-HOUSE
it
persisted witha
symbolical meaning
only,when the
original
practical purpose had
ceased to exist,
as it does in modern
Bengalitemples.
Thegreat lotus-leaf
arch, or sun-window,
overthe main
entranceservedtolightupthechaitya
withthemost
impressive
effect; but, likeotherconstituentsof
the structural design of
thechaitya-house, itwasnotmerely
placedtherewiththeself-
conscious motive of formal
academic
composition, which
modern
authoritiesdeclaretobe
the wholeart
of architecture
;
the light
had to be focussed
upon the chaitya, for the latter
was the sacred object upon
which the devoted labourofthe
craftsmen
was concentrated.
Incidentally the windowwhich
illuminatedthealtarwasusedtoprovidethe
bestpossibleven-
tilation
for
thewholechaitya-house. The ends of thepurlins
whichwould havesupported thewooden orbambu rafters of
an
Asokan house or
cottage(PL I, b)roofed in this way,but
herepiouslycarvedfordecorativeeffectonly,appearontheinner
edgeofthearchedwindow; theouteredgeisthe ptpalleaf,as
before explained. Part of the opening is filledwith a frame-
work of wood, resemblingthe toransofavillagegateway. A
framed lattice of this kindisalmost invariably
shown in
the
sculptured sun-windows used as symbolic decoration,
except
when theyserveasshrinesfordeities. Thewholefagade
above
the entrances is decorated withthese
symbols, combinedwith
theVedicsacrificial rail. Most, if notall,
ofthe figure sculp-
turewasadded inthelater Buddhistor Mahayana
period.
Theextremedimensionsof the interior
are about
124
feet
by
43J
feet. The great nave, or hall
of the Sangha, is
shown in PI. XIX. It is
25^
feetwide,
and separated from
thepradakshinipathofthelaymenby
fifteensculpturedpillars
oneitherside, with capitalssimilarto
the twowhich flank the
main entrance, but otherwise differing
slightlyin symbolism.
Their shafts are octagonal, or, in the
technical terms of the