The ancient and medieval architecture of India: a study of Indo-Aryan civilisation

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THE kARLE


CHAITYA-HOUSE

it
persisted witha

symbolical meaning

only,when the

original

practical purpose had

ceased to exist,

as it does in modern

Bengalitemples.

Thegreat lotus-leaf

arch, or sun-window,

overthe main

entranceservedtolightupthechaitya

withthemost

impressive

effect; but, likeotherconstituentsof

the structural design of

thechaitya-house, itwasnotmerely

placedtherewiththeself-

conscious motive of formal

academic

composition, which

modern
authoritiesdeclaretobe

the wholeart

of architecture
;

the light
had to be focussed

upon the chaitya, for the latter

was the sacred object upon

which the devoted labourofthe

craftsmen
was concentrated.

Incidentally the windowwhich

illuminatedthealtarwasusedtoprovidethe

bestpossibleven-

tilation
for

thewholechaitya-house. The ends of thepurlins

whichwould havesupported thewooden orbambu rafters of

an
Asokan house or

cottage(PL I, b)roofed in this way,but

herepiouslycarvedfordecorativeeffectonly,appearontheinner

edgeofthearchedwindow; theouteredgeisthe ptpalleaf,as

before explained. Part of the opening is filledwith a frame-

work of wood, resemblingthe toransofavillagegateway. A


framed lattice of this kindisalmost invariably
shown in

the

sculptured sun-windows used as symbolic decoration,
except

when theyserveasshrinesfordeities. Thewholefagade
above


the entrances is decorated withthese
symbols, combinedwith

theVedicsacrificial rail. Most, if notall,
ofthe figure sculp-

turewasadded inthelater Buddhistor Mahayana
period.

Theextremedimensionsof the interior
are about
124

feet

by

43J

feet. The great nave, or hall
of the Sangha, is

shown in PI. XIX. It is
25^

feetwide,
and separated from

thepradakshinipathofthelaymenby
fifteensculpturedpillars


oneitherside, with capitalssimilarto
the twowhich flank the

main entrance, but otherwise differing
slightlyin symbolism.

Their shafts are octagonal, or, in the
technical terms of the
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