CONSTRUCTION
OF
THE SIKHARA
103
shrines, consisting
of acell—
the holyof holies—
andanante-
chamber
;
but
without the
splendid halls
ofworship {manda-
pams)
whichbelong
tothe larger and more
famous ones. It
would take volumes
to do justice
to the intuitive sense of
beauty and splendid
craftsmanship
which they display. A
complete study
oftheirstructure
wouldbe avaluableaddition
to
architectural
knowledge,
but would form a considerable
monograph in itself. In
some ofthem acone
of
brickwork,
suggestive of the
structures shown in the Nineveh bas-relief
(fig.
40),
forms
the core upon which
thestone facing of the
sikhara is built. Many are built
entirelyof exceedinglyfine
brickwork,with cut or
moulded ornaments, finishedwith fine
polished
stucco.
PI.
XXXIV is a beautiful example ofa brick sikhara,
illustratingthecomposite style, called
by
Fergusson
"
Chalu-
kyan," inwhich
both theVishnu and Siva principles of con-
structionarecombinedinonesikhara. Theamalaka,Vishnu's
symbol, isused as an ornament in the horizontal courses of
the brickwork, and thesikharawouldbe crowned with Siva's
symbol,the stdpa dome,
instead of
bythe
amalaka. In the
present instance the dome has fallen. PI. XXXV,
from
another temple, shows the fine brickwork on a larger scale,
with some ofthewhite
stucco whichcoveredit.
PI. XXXIII shows
afinestone-builtVishnushrine, pos-
sibly
of the
eighth century, atBarwar
Sagar, in the
Jhansi
district,Central
Provinces. Here small porches are
addedin
thenorth, south, andwest
sides, makingitachaumukh (four-
Faced), as ina
Brahmishrine; but the
principal entrance on
theeast, thesikhara,
and theminiature
sun-windowsskilfully
used
asornaments in
combination with theamalaka,
indicate
that the Vaishnava
aspect of the
Trimtirti is specially
wor-
shipped.
A ruined
temple at
Khajuraho(PI. XXVII)shows
very