The ancient and medieval architecture of India: a study of Indo-Aryan civilisation

(Barry) #1

6 ASOKA'S PROPAGANDA


employedbydififerent sectstoexplainthe specialtenetsoftheir


respective cults. When a great ruler


like T^soka exercised

supremepoliticalpoweroverthegreaterpart

ofIndia,thewealth

of thestatewas naturally devotedtomaking the


buildings
of

his

especial
sect

of
betterand

more expensive materials

than

thoseofothers,andconsequently

therecordofBuddhist

building

which survives to this dayis morecomplete

than thatofthe

rivalschoolsofreligiousthoughtwhichhad

tobecontentwith

lesscostlyandlesspermanent buildingmaterials.

Butatown

orvillageand the buildings therein, inhabited by Buddhists,

Jains,

or Brahmans,wereneveratanytime in Indian history

entirely differentiated by special' characteristics of style.

Buddhist art was at the same time and place also
Jain

art

and Hindu or Brahmanicalart. India has never knownany

style that can be called architectural but one—and that is


Indo-Aryan.

Asoka's religious propagandawas no violent disturbance

oftheestablishedcustoms and beliefsof his subjects: itwas

a policy of

peaceful
penetration in strict accordancewith
the

spiritof Aryan
philosophy, which proclaimed Truth to be a

temple open on all sides to devout worshippers, who might

choose

the approach most
accessible to them. Whatever

Buddhismmight
havebeenasaschoolofphilosophic
specula-

tion,IndianartofAsoka'stimeshows
thatasapopular
religion

itwasa synthesisofcontemporary
Hinduism, ascomplete
for

theagetowhich itbelonged as
medievalHinduism was
forits

own time. Butas religion has
always been
essentiallyapart

of Indian daily life, we must
begin an account
ofthe great

religiousarchitecture of India
bytrying to
reconstruct, out of

the meagrearchitectural records
of the third
century B.C.,
the

practicalplanningandbuildingofa
typicalIndian
village;
This

can bedone to someextent by
making useof
the clues
given

intheHinduSilpa-s^stras,andinthe
sculptured
representations
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