20 ANCIENT
VILLAGE DWELLINGS
in|the gates of temples. A
vedikd^orraisedseat,should be
constructed
on each sideofthedoor."
The
quaint representations of
buildings given in the
BharhutandSanchi
sculptureswillgivesomeideaoftheaspect
of Indianvillagesand towns
in thethirdcenturyB.C.
;
butone
mustnotsupposethatthesculpturesoftwo
sttipasinplacesnot
veryfarapartexhaustedall thetypes of buildingthencurrent
in India. At the same time Asoka'svigorous propagandaof
Buddhism, havingPitaliputra as its centre, certainlyhad the
effectofspreadingtheculture
of the Magadha
countryovera
greatpart
of
India,and the Buddhist
Emperor's
extraordinary
buildingactivitymusthave
createdagreat demandfor Bengali
master-builders,andthushaveestablishedthereputationwhich
theyhadeveninAkbar'stime.^ Thereisunmistakableevidence
oftheirhandiworkin manyparts ofancient India.
The
commonest type of village dwelling shown in the
Bharhut Sculptures
(PI. I) is, like thoseofthe present day,a
verysimple
structure and apparentlybuilt of sun-baked clay.
Wecan gatherfromthe
descriptions in the Ramayana of
the
hutbuiltforRama in his forest
exile that the typical Indian
cottagewasthen divided into
fourrooms, likethe
quartersof
the whole village. The entrance,
with double doors
in the
middle,asshowninPI. I,
a,openedintothequadrangle
formed
by ablockof threeorfoursingle
cottages, owned
by different
members
of one family, in which the
cattle which
was their
joint property
took shelter bynight.
When there
were only
threecottages,
the fourthsideofthe
quadrangle
was closedby
awall
withadooror gateway in it. In
the illustration
(a) a
womanstandsinthe
quadrangleholding
a basket
intowhicha
1
Vedikameant,originally,ground
preparedfor
Vedicsacrificeswith
thesacredkusha
grass,orthealtarofsacrificeitself.
Henceaseatfor
thegodsorfor
honoured
guest.s.
2
TheAln-i-Akbari,describing
Akbar'sbuildings
atAgra,
refersto
"
the
beautiful
designsofBengalandGujerat."