National Geographic - USA (2021-12)

(Antfer) #1
PHOTOGRAPHED AT WHITE OAK CONSERVATION, YULEE, FLORIDA

Parts of this photo
essay are drawn from
Sartore’s new book,
Photo Ark Wonders, on
sale at shopdisney.com.

SECTION


PATTERN

The highly venomous Malayan krait

is unassuming in colorless bands. A


South American swan’s snow-white


body is topped with a coal-black head.


The clown knifefish seems to wear


black-and-white portholes down its


silver sides. While some birds proclaim


themselves in color, the Timneh parrot


and the Carnaby’s black cockatoo stick


to cool gray.


Other patterns borrow from the

background, strategies for blending


in and staying unseen. The chain


catshark’s murky mottling mirrors


shifting patterns of dark and light on


the ocean floor. Splitfins shimmer like


sunlight on water.


Wood turtles’ shells sport elegant

mosaics, picking up earth tones of the


leaf litter where they scuttle. A grass


mouse striped like the stubble it calls


home, a katydid as brightly veined as


the leaves that fall around it, a whip


snake’s scales in hues of the rainforest


it winds through—all exhibit patterns


from the environments they inhabit.


The animal kingdom offers patterns

in abundance. Some we interpret to


have a purpose, but others seem like


arbitrary shapes and colors combined


with abandon—nature’s artistry. j


ABOVE: The okapi is
striped like a zebra,
but its closest rel-
ative is the giraffe.
This reclusive native
of dense, humid

rainforests in the
Democratic Republic
of the Congo uses its
18-inch tongue to eat
more than a hundred
species of plants.
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