I do my role, and everyone’s happy.”
It was her sympathetic take on the
role that won over Susan’s solicitor, the
only person who could discuss the case
as prisoners are restricted in the inter-
views they can give. Sinclair says: “It was
fascinating, but if you’re leaning into
someone’s point of view and they’re a
fantasist it seemed obvious that this
couldn’t be a normal crime procedural.”
Landscapers picks up a new trend in
where millennial writers and directors
are experimenting with the limits of the
medium. Its executive producer Chris
Fry points to Channel 4’s We Are Lady
Parts, where an all-girl Muslim punk
band express their longings via scenes
from old movies, and Squid Game,
which uses the insane world of a lethal
game to highlight the dehumanising
effect of poverty on Korean society.
Even Netflix’s Sex Education takes
the format of an American high-school
movie and adapts it to allow an explo-
ration of the dilemmas of British kids
coming of age in gender-fluid times.
Subjects that might have been tackled
in the hyper-realist style of Ken Loach
are treated more metaphorically. Fry
explains: “This innovation started on
streamers like Netflix as they wanted
shows that stood out and offered crea-
tives freedom to experiment and it’s
moving into mainstream telly.”
Will Sharpe has worked with Col-
man on three projects, each of which
depicts mental health and intense emo-
tion through surreal techniques: the
dark sitcom Flowers, where one charac-
ter “does a dance about feeling the
mania, depression and frustration of
bipolar disorder”, and the heightened
visuals of The Electric Life of Louis Wain,
a biopic of the artist where paintings
and life merge. Despite her Hollywood
roles, Colman loves arthouse. “The
Favourite was an art film, I loved Flow-
ers, I love this — they’re all inventive
and arty,” she says, smiling. “But then
I’m a massive fan of Marvel.” The image
of Sharpe directing Colman in a Marvel
film flashes into the mind — that’s a fan-
tasy that should merge with reality. c
Landscapers is on Sky Atlantic and
Now on Dec 7
They wrapped the
bodies in a duvet cover
and buried them under
their own lawn
Blindspotting
This US drama about a jailed
thief’s girlfriend coping with his
incarceration is told with fourth-
wall breaks, spoken-word poetry,
modern dance sequences and
choreographed prison visits. Starz
Ramy
The New Jersey Muslim comic Ramy
Youssef’s quasi-autobiographical
dramedy covers 9/11 with a
12-year-old Ramy dreaming of
finding Osama bin Laden eating
strawberries from his fridge after
the attacks while discussing Islam
and the West. Channel 4
Giri/Haji
The eight-part yakuza drama
climaxes with an unexpected
rooftop dance sequence in which
the cast tie up the complex plot
through an elaborate balletic
routine to Olafur Arnalds and
Alice Sara Ott’s Chopin-sampling
track Verses. Netflix
FANTASTICAL TV SHOWS
MUM... AND DANCE
EDDY CHEN/STARZ
CRAIG BLANKENHORN/HULU
28 November 2021 13