Designing, setting out and making stairs 111
of any perceived ugliness or aesthetic appeal, add
greater strength and rigidity to the post. This is
because the post is supported higher up by the string’s
tenons and by the screwed end of the second riser. In
marking out the oblique stub- tenons, the position of
the shoulder line is determined by the key rule that
the face of the riser (marked on the strings from the
pitch- board) equals the centre of the newel. Therefore,
as indicated in Figure 6.38(a), the shoulder line is
marked back (into the string) at half the newel’s thick-
ness from the riser- face, then the tenon- projection
is marked forward at two- thirds the newel- thickness
from the shoulder line. After the bare- faced tenons
have been shouldered to thickness (usually 16mm for
a 28mm finished string), the double stub- tenons are
set out as shown below in Figures 6.38(a) to (e).
Removing tenon- cheeks from strings
Figure 6.38(b): The deep, oblique stub- tenon area – as
seen free of marking out at 6.38(b) – is reduced on the
step- side by 12mm to leave a bare- faced tenon area
of 16mm. This reduction can be done on a tenoning
machine, by using either the bottom- or top- tenoning
head – otherwise such a deep, oblique tenon is
awkward to reduce and various techniques are used to
achieve this, including: 1) Reduce the area to a 12mm
depth by a series of portable powered- router cuts; 2)
Cut the shoulder- line with a tenon saw, remove about
an 8mm depth of waste wood by chisel- chopping
across the short end- grain (providing the grain is
straight), then (having now produced a shoulder to
run against) remove the remaining waste down to the
gauge lines with hand tools such as a Stanley No.78
rebate plane and/or a No.073 shoulder plane, finish-
ing in mid- area with a Stanley 04 or 04½ smoothing
plane – or a 5½ jack plane.
Outer string
Inner (wall) string
Margin-line marks squared across from the wall string to the outer string, prior to pitch-board marking
Figure 6.37 This illustration of a pair of stair- strings positioned edge- to- edge highlights the method of transferring the hypot-
enuse divider- marks from the wall- string to the outer- string – and also shows the position of the outer- string’s tenons, which
have evolved from the pitch- board’s initial face marks – explained in the setting out details in Figures 6.38(a) to (e). It can
also be seen here (on the left) that the inner wall- string runs past the bottom newel- post tenons, this being for the inclusion of
a bottom bullnose- ended step that protrudes past the newel post.
Face of riser equals
centre of newel post
FFL
Top of
outer
string
16
12 28
Mark ½ of newel thickness
to establish shoulder line
Then go forward^2 ⁄ 3 of newel
to estsblish tenon projection
Figures 6.38 (a) to (f) The part elevations of the outer
string at the top- end, above a plan view of the newel post
and bare- faced, stub- tenoned string in- line below, shows
the step- by- step setting out of the oblique, double tenons
required. The same procedure for this setting out can also
be applied to the tenons at the bottom of this string. Note,
however, that when there is no protruding bottom step, the
outer string touches the floor and the tenon needs to be
divided by 4 instead of 3, to provide a base haunch. Note
also that, as shown at (f), these wide double- tenons theoreti-
cally should have a 5mm reduction at their extremities (back
to the shoulder line) to guard against the mortise holes
appearing via string- and tenon- width shrinkage. However,
to my knowledge, this is rarely done; partly because the top
edge of the outer string is covered with a grooved string-
capping (to receive the balusters) and partly because the
acute angle formed on the underside abutment to the newel
makes it virtually impossible to detect any shrinkage gaps.