Designing, setting out and making stairs 117
Tapered steps with a wreathed
handrail
Figure 6.47: This part- elevation and plan view of a
quarter- turn tapered stair, rising up from a living
room and serving a galleried landing and a doorway to
the upper, split- level part of the house, was an actual
working drawing of a conversion job I did on a house
I once occupied in 1994. Originally, the living room
had a 6- tread straight stair- flight and a small landing
that served only the doorway. Because of a desire to
create a feature staircase, the challenge was to design a
stair that met the regulations, had 6 treads and 7 risers
(the same as the original, because the storey- height
cannot be changed and dictates the number of risers)
and last, but not least, was attractive.
After several preliminary sketches, the final layout
evolved and was then drawn to a 1:25 scale (because
this suited A4 sized paper) and – eventually – made
by hand, with the aid of portable- powered and fixed
machines – including a lathe for turning the newel
posts. The balusters (or spindles, if you prefer) were
bought from a parts- manufacturer and the main
features of their shape were used in the newel- design.
One of the unique features of the staircase was that
the plywood risers and apron linings to the galleried
landing were pierced with a repetitive tracery pattern,
as illustrated. This pattern also pierced the bottom
tapered step and its bullnose- end. Note that the short,
outer string is wreathed and it has a wreathed handrail
above it.
Easing of Strings
Figures 6.46(a)(b): As can be seen in Figures 6.45 and
6.46, when an arrangement of tapered treads meets
the continuous wall string or strings that house the
parallel treads of an integrated flight of stairs, the line
of nosings spreads out and either breaks through the
top or the bottom of the string. This is more notice-
able in Figure 6.46, where the primary positions
of the strings’ edges are shown as unbroken- and
broken- lines. Of course, these wider housings are not
allowed to actually ‘break through’ and, where neces-
sary, the strings are built up in width (edge- jointed)
and these built- up edges are shaped to form so- called
‘easings’.
An easing can be a concave or convex shape and
is first plotted when the strings of tapered treads are
developed from the plan view drawn on the white-
painted rods. By keeping the established top- margin
in mind, a flexible piece of material (a narrow strip of
hardboard, plywood or plastic trim) is used as a flexi-
curve drawing- aid to mark the desired easing- shape.
This is best done with one person flexing the drawing-
aid to pre- plotted margin- marks, whilst another
person marks the easing line.
*Temporary
timber props
*
*
Figure 6.46(a) In this stair arrangement, built- up edges
were required on top of the continuous wall string, on the
under- edge of the outer string (close to the newel post)
and on the top and under- edge of the short, return wall-
string.
Return
string
Square
winder
Half
Kite winder
Half Kite winder
Outerstring
parallel stepFirst
Skew winder
Easing
Easing
Broken lines
indicate joints
of built-up
boards
Wall string
Figure 6.46(b) Note that the under- edge piece, beneath
the left- hand, vertical tongue- and- grooved corner joint, is
not shaped (because it is concealed), but concave and
convex easings have been applied elsewhere.
(b)
(a)