cambridge studies in medieval literature
1 Robin KirkpatrickDante’s Inferno: Difficulty and Dead Poetry
2 Jeremy TamblingDante and Difference: Writing in the“Commedia”
3 Simon GauntTroubadours and Irony
4 Wendy Scase“Piers Plowman”and the New Anticlericalism
5 Joseph DugganThe“Cantar De Mio Cid”: Poetic Creation in its Economic and
Social Contexts
6 Roderick BeatonThe Medieval Greek Romance
7 Kathryn Kerby-FultonReformist Apocalypticism and“Piers Plowman”
8 Alison MorganDante and the Medieval Other World
9 Eckehard Simon (ed.)The Theatre of Medieval Europe: New Research
in Early Drama10 Mary CarruthersThe Book of Memory: A Study of Memory in Medieval Culture
11 Rita CopelandRhetoric, Hermeneutics and Translation in the Middle Ages:
Academic Traditions and Vernacular Texts
12 Donald MaddoxThe Arthurian Romances of Chrétien de Troyes: Once and
Future Fictions
13 Nicholas WatsonRichard Rolle and the Invention of Authority
14 Steven F. KrugerDreaming in the Middle Ages
15 Barbara NolanChaucer and the Tradition of the“Roman Antique”
16 Sylvia HuotThe“Romance of the Rose”and its Medieval Readers: Interpretations,
Reception, Manuscript Transmission
17 Carol M. Meale (ed.)Women and Literature in Britain, 1150 – 1500
18 Henry Ansgar KellyIdeas and Forms of Tragedy from Aristotle to the Middle Ages
19 Martin IrvineThe Making of Textual Culture: Grammatical and Literary
Theory, 350 – 1100
20 Larry ScanlonNarrative, Authority and Power: The Medieval Exemplum and
the Chaucerian Tradition
21 Erik KooperMedieval Dutch Literature in its European Context
22 Steven BotterillDante and the Mystical Tradition: Bernard of Clairvaux
in the“Commedia”
23 Peter Biller and Anne Hudson (eds.)Heresy and Literacy, 1000 – 1530
24 Christopher BaswellVirgil in Medieval England: Figuring the“Aeneid”from the
Twelfth Century to Chaucer