THE 100 MOST INFLUENTIAL MUSICIANS OF ALL TIME

(Ben Green) #1
7 Aaron Copland 7

For the better part of four decades, as composer (of
operas, ballets, orchestral music, band music, chamber
music, choral music, and film scores), teacher, writer of
books and articles on music, organizer of musical events,
and a much sought-after conductor, Copland expressed
“the deepest reactions of the American consciousness to
the American scene.” He received more than 30 honorary
degrees and many additional awards. He also wrote a
number of books on music.
A private man not given to making public statements
about his personal life, Copland nonetheless made no
efforts to hide his homosexuality, traveling openly with
younger lovers. And though blacklisted during the
McCarthy era, the government-led censure had no lasting
effect on Copland’s work and career.

Louis Armstrong


(b. Aug. 4, 1901, New Orleans, La., U.S.—d. July 6, 1971, New York, N.Y.)

L


ouis Armstrong, or Satchmo (a truncation of “Satchel
Mouth”), was the leading trumpeter and one of the
most influential artists in jazz history.
Armstrong grew up in dire poverty in New Orleans,
La., when jazz was very young. As a child he worked at odd
jobs and sang in a boys’ quartet. In 1913 he was sent to the
Colored Waifs Home as a juvenile delinquent. There he
learned to play cornet in the home’s band, and playing
music quickly became a passion. Armstrong developed
rapidly: he played in marching and jazz bands, becoming
skillful enough to replace New Orleans jazz cornetist
King Oliver in the important Kid Ory band in about 1918,
and in the early 1920s he played in Mississippi riverboat
dance bands.
Fame beckoned in 1922 when Oliver, then leading a
band in Chicago, sent for Armstrong to play second
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