WOLE SOYINKA: Politics, Poetics and Postcolonialism

(Romina) #1
Notes to pages– 

exactions by way of causing fatal accidents, fevers and even insanity among
the workers wreaking the “wound” of progress on the forests.
Christopher Caudwell,Studies and Further Studies in a Dying Culture, New York:
Monthly Review Press,,.
Lucy Mair,New Nations, University of Chicago Press,.
Ronald Bryden, “The Asphalt God,” in Gibbs,Critical Perspectives on Wole
Soyinka,.
Joachim Fiebach, “Wole Soyinka and Heine Muller: Different Cultural Con-
texts, Similar Approaches,” in Jeyifo,Perspectives,.
Ronald Bryden, “The Asphalt God,” Gibbs,Critical Perspectives on Wole Soyinka,
.
Biodun Jeyifo, “The Hidden Class War inThe Road,” inThe Truthful Lie:
Essays in a Sociology of African Drama, London: New Beacon,,–.
Oyin Ogunba,The Movement of Transition: A Study of the Plays of Wole Soyinka,
Ibadan, Nigeria: Ibadan University Press,,–.
For an instance of this, see Derek Wright,Wole Soyinka Revisited,–.
Albert Bates Lord,The Singer of Tales, Stephen Mitchell and Gregory Nagy,
eds., Cambridge, MA: Harvard University Press,.
“Interview with Soyinka,” in Charles Mike, Jr.,Soyinka as a Director: the Example
of Requiem for a Futurologist, unpublished M. Phil. thesis, University of Ibadan,
.
Adebayo Williams, “Ritual as Social Symbolism: Cultural Death and the
King’s Horseman,” in Oyin Ogunba, ed.,Soyinka: A Collection of Critical Essays,
Ibadan, Nigeria: Syndicated Communications,,–.
Olakunle George, “Cultural Criticism in Wole Soyinka’sDeath and the King’s
Horseman,”Representations(Summer),–.
Philip Brockbank, “Blood and Wine: Tragic Ritual from Aeschylus to
Soyinka,”Shakespeare Survey,no.(),–.
Longinus in Bernard F. Dukore (ed.),Dramatic Theory and Criticism: Greeks to
Grotowski, New York: Holt, Rinehart and Winston,,.
On the postmodernist conception of the sublime, see, among a vast body
of critical and theoretical writings, Neil Hertz,The End of the Line: Essays on
Psychoanalysis and the Sublime, New York: Columbia University Press,;
Slavoj Zizek,The Sublime Object of Ideology, London: Verso,and Jean-
Francois Courtineet al.,Of the Sublime: Presence in Question, Albany, NY: SUNY
Press,. For an influential scholarly work on the sublime, see Thomas
Weiskel,The Romantic Sublime: Studies in the Structure and Psychology of Transcen-
dence, Baltimore: Johns Hopkins University Press,.
Paul Gilroy,The Black Atlantic: Modernity and Double Consciousness, Cambridge,
MA: Harvard University Press,.


.      : 
   
Nothing shows the operation of this tacit regulative norm more than a com-
parison of critical attitudes towards linguistic exuberance in Yoruba and

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