WOLE SOYINKA: Politics, Poetics and Postcolonialism

(Romina) #1
Index 

and the “pharmakon,”
on poetic solipsism of N ́egritude,
political activism, xiv,
radical break in critical thought of,–
resistance and oppositionality in works
of,
and the Romantics,–
ritual festivity in plays of,
ritual matrix as interpretive construct in
critical thought,–
ritual problematic in plays of,–
scope of scholarly works on, xi–xii
seclusion as spiritual
enhancement,–
second phase of critical thought,–,
–
self-writing in works of,–
on social malaise of village life in colonial
Africa,
solitary confinement in prison,
as a student in Britain,
and the sublime, xviii, xx
and the Symbolists,
taking political and artistic risks,–
thematic patterns in dramatic works
of,–
third phase of critical thought,,–
tragic mythopoesis in works of,–
and transnational capitalism,
use of language in prose works of,–
version of the leftist script of Nigerian crisis
of–,–
and violence,–
and voluntarism,
“And after the Narcissist?,”–
“Climates of Art,”–
“The Credo of Being and
Nothingness,”–
“The Critic and Society,”
“Drama and the Idioms of Liberation,”

“The External Encounter,”–
“The Fourth Stage,”,–,
“From a Common Black Cloth,”–
“Neo-Tarzanism and the Poetics of
Pseudo-tradition,”
“New Frontiers for Old,”–
Nobel lecture,,
“Theatre in Traditional African
Societies,”–,
“Towards a True Theatre,”–
“The Writer in a Modern African
State,”–,–,
Prose Works:
Ak ́ e,–,,,–,


Art, Dialogue and Outrage, xiv, xxi
The Burden of Memory and the Muse of
Forgiveness,–
Ibadan,,,,–
The Interpreters,,,,,,,,
–
Isara,–
The Man Died,,,–,
Myth and Literature and the African World,,
,–,
The Open Sore of a Continent,–
Season of Anomy,,,–,–
Plays:
The Bacchae of Euripides,,,–
The Beatification of Area Boy,,
Before the Blackout,
A Dance of the Forests,,,,,,
–
Death and the King’s Horseman,,,,
,–,,,
From Zia with Love,,,,–
The Invention,
Kongi’s Harvest,,–,–,
The Lion and the Jewel,,–
Madmen and Specialists,,–,,,
,–,–,,,
Opera Wonyosi,,
APlayofGiants,–
Requiem for a Futurologist,
The Road,,,,,–,–,,
–,–,,
A Scourge of Hyacinths,
The Strong Breed,
The Swamp Dwellers,
Poetry:
Idanre and Other Poems,–,–
Mandela’s Earth,–
Ogun Abibiman,–
Outsiders,–
A Shuttle in the Crypt,–
“Telephone Conversation,”
Film:
“Blues for a Prodigal,”
St. John Perse,
Stratton, Florence,
Sublime, the,–,
Sukarno, Achmed, xvi
Sundiata epic,
Sutherland, Efua, xvii,
Swift, Jonathan,(Gulliver’s Travels)
Toyo, Eskor,
Transition magazine, xii, xv
transnational capitalism,
Tutuola, Amos,,
Free download pdf