Lighting for Digital Photography: From Snapshots to Great Shots

(Elle) #1

chaPter 1: the five characteristics of Light 23


In direct sunlight, there is often too much contrast. Here the details in the shadows of


the tire treads merge to black. We might be able to see most of the details between


the two extremes. Yet, as shown in Figure 1.15, the camera cannot record this full


range of light and shadow. So, as the photographer, I decided to expose for the


detail in the hood and let the shadows fall where they may. As you can see, the tread


of the tires cannot be distinguished from the wheel well or from the asphalt.


As we will explore in greater detail later in the book, one option is to add light into


the shadow areas so that the dynamic range of the scene is reduced to the range that


the camera can record. In Figure 1.16, you can see can see many more shadow details


because I used two Speedlites to create fill flash (Figure 1.17).


[1-Contrast 3.tif]


FIguRe 1.17
By adding fill flash, the contrast is reduced into the dynamic range that the camera can record.
So, shadow details are revealed.

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