New Scientist - USA (2019-07-13)

(Antfer) #1

30 | New Scientist | 13 July 2019


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IT IS 2011, a couple of years after
the Great Recession. Quantitative
analyst Vincent (Jesse Eisenberg)
and his programmer cousin Anton
(Alexander Skarsgård) have found
a way to steal a march on Wall
Street: trading a millisecond
ahead of the competition.
Where will they find this tiny,
telling pinch of extra time? They
plan to make it themselves, by
stretching an optical fibre from
Kansas City Internet Exchange
to New York in as straight a line
as possible. While everyone else
waits 17 milliseconds for their
information (the beat of a
hummingbird’s wing is the film’s
poetic, and accurate enough,
conceit), Vincent, Anton and their
backers will only have to wait 16
milliseconds. That’s time enough
to squeeze in a few thousand
algorithmically generated trades.
The trick will be to lay the cable
as straight as the law allows. Never
mind Amish farms, Appalachian
mountain ranges, loneliness,
obsession or physical frailty. They
will build this 1600-kilometre-
long, 10-centimetre-wide fibre
tunnel if it kills them.

Scripted and filmed like a true-
life story (after all, who in their
right mind would make up a
thriller about high-frequency
trading infrastructures?) The
Hummingbird Project, incredibly,
springs entirely from the head of
writer-director Kim Nguyen. It
can’t quite decide whether to be a
think piece or a buddy movie, but

it can be staggeringly funny. Salma
Hayek has indecent amounts of
fun as Eva, the cousins’ abandoned
boss. In a frantic attempt to keep
them on her payroll, at one point
she shouts: “I think we can break
the walls of perception together!”
It is one of those stories that, in
being made up, encapsulates a lot
of historical and technical insight.
Hayek’s Eva can talk “nanosecond
financial engineering” all she
wants. As a sceptical investor
notes, her style of trading is really

An American dream A drama about two cousins setting out to get seriously rich
by building a 1600-kilometre-long optical fibre link between New York and Kansas
is both funny and fascinating, says Simon Ings

“ Do you recall when it
took a microsecond to
win or lose a fortune?
What slowcoaches we
were, eight years ago”

Film
The Hummingbird
Project
Written and directed
by Kim Nguyen

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The Big Short
Directed by Adam McKay
A meticulous takedown of
Wall Street with Steve Carell
and Christian Bale.

just scalping: profiting off small,
short-lived price anomalies
between financial exchanges.
Scalping is hard because one
hefty loss wipes out millions of
tiny profitable trades. And it is
also impossible to do without
computers because markets adjust
quicker than the eye can follow.
When world markets crashed in
2008, this took a lot of the heat. It
was easier for politicians to point
the finger at runaway tech and
artificially accelerated trading
than to challenge and dismantle
key institutions. But while trading
algorithms have caused the odd
“flash crash”, they do far more to
sustain a market economy than
to threaten it. This is why so-called
mechanical arbitrage runs over
half the trades in many markets.
Vincent and Anton’s project is
entirely reasonable in a world that
puts commercial operations as
close to market exchanges as
possible to steal millisecond
advantages over competitors.
Hanging over the cousins’ project
is a rival bid to leave fibre behind
and send financial information by
microwave (and the discussion of
“pulse-shaping algorithms” will
warm the heart of any telecoms
engineer). Today, the industry is
even more complex, with atomic
clocks to arbitrate the timing of
financial information. Financial
instruments that scalp multiple
markets are driving the creation
of strategic data centres in unlikely
places, as banks head for space
via Elon Musk’s Starlink servers.
All of which gives the film a
curiously nostalgic feel. Do you
recall when it took a thousandth
of a second to win or lose a
fortune? What slowcoaches
we were, eight years ago. ❚

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Jesse Eisenberg and
Alexander Skarsgård star
as cousins with a plan

The science of film


Simon Ings is a novelist and
science writer and a culture
editor at New Scientist.
Follow him on Instagram
@simon_ings
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