Bibliography
Ackley, Clifford S., with Ronni Baer, Thomas E. Rassier, and William W.
Robinson (contributors). Rembrandt’s Journey: Painter, Draftsman, Etcher.
Boston, MA: MFA Publications, 2003. A new and important look at the
artist’s life and work.
Acton, Mary. Learning to Look at Paintings. London: Routledge, 1997. An
accessible guide to understanding images in art.
Ahl, Diane Cole, ed. The Cambridge Companion to Masaccio. Cambridge:
Cambridge University Press, 2002. Explores the artistic, intellectual, and
religious culture of Florence in Masaccio’s time.
Avery, Charles. Bernini: Genius of the Baroque. Boston, MA: Bul¿ nch,
- A broad look at Bernini’s sculpture, drawings, and architecture.
Bailey, Colin B., ed. The Age of Watteau, Chardin, and Fragonard:
Masterpieces of French Genre Painting. New Haven, CT: Yale University
Press, 2003. A beautifully illustrated catalogue with scholarly essays.
Bartrum, Giulia, with Gunter Grass, Joseph L. Koerner, and Ute Kuhlemann
(contributors). Albrecht Durer and His Legacy: The Graphic Work of a
Renaissance Artist. Princeton, NJ: Princeton University Press, 2003. A
beautifully illustrated exhibition catalogue that details the artist’s career
and legacy.
Batzner, Nike. Mantegna (Masters of Italian Art Series). Köln: Konemann,
- A useful introduction.
Beckwith, John. Early Medieval Art: Carolingian, Ottonian, Romanesque.
London: Thames & Hudson, 1985. Begins with the coronation of Charlemagne
in 800 and offers a comprehensive survey of these three periods.