Bibliography
Masson, Raphael, Veronique Mattiussi, and Jacques Vilain. Rodin. Paris:
Flammarion, 2004. An authoritative source written by experts from the
Musée Rodin.Meiss, Millard. Painting in Florence and Siena after the Black Death.
Princeton, NJ: Princeton University Press, 1979. One of the few available
sources covering the period 1350–1375.Minor, Vernon Hyde. Baroque and Rococo: Art and Culture. Englewood
Cliffs, NJ: Prentice Hall, 2003. A well-illustrated survey incorporating
modern scholarship. Organized thematically.Murray, Peter. The Architecture of the Italian Renaissance. New York:
Schocken, 1997. A classic guide with pertinent illustrations.Nees, Lawrence. Early Medieval Art. Oxford: Oxford University Press,- Emphasizes the historical transition between the art of the late Roman
period and that of the newly established kingdoms in Northern Europe.
Nuttall, Paula. From Flanders to Florence: The Impact of Netherlandish
Painting, 1400–1500. New Haven, CT: Yale University Press, 2004. Looks
at the inÀ uence of Netherlandish art on the Italian Renaissance.Olson, Roberta J. M. Italian Renaissance Sculpture. London: Thames &
Hudson, 1992. A basic overview of signi¿ cant works of sculpture from
1260–1600.Osborne, Harold, ed. The Oxford Companion to Art. Oxford: Oxford
University Press, 1983. A good introduction and overall reference.Panofsky, Erwin. The Life and Art of Albrecht Dürer. Princeton, NJ: Princeton
University Press, 1971. Reviewer Wolfgang Stechow writes, “Whatever was
immortal of Albrecht Dürer is covered by this book.”Petzold, Andreas. Romanesque Art (Perspectives). Englewood Cliffs, NJ:
Prentice Hall, 2003. Examines art in the context of such issues as the role of
women, patronage, and the development of monasteries and universities.