Builders Corporations in Italy, Germany, and Switzerland 171
were also guilds of the Four Crowned Martyrs in Flanders, notably in
Brussels and Anvers, that consisted of masons, stonecutters, sculptors,
and others.* Given the importance of these patrons to the builders, it is
probably helpful to recall the legend of the four crowned martyrs. It
varies according to version, but this is how it was recorded in The
Golden Legend:
The four crowned martyrs were Severus, Severianus, Carpoforus,
and Victorinus, who, by the commandment of Diocletian, were
beaten with plummets of lead unto the death. The names of whom
could not be found, but after a long time they were shown by divine
revelation, and it was established that their memory should be wor-
shipped under the names of five other martyrs, that is to wit
Claude, Castor, Symphorian, Nicostratus, and Simplician, which
were martyred two years after the four crowned martyrs. And these
martyrs knew all the craft of sculpture or of carving, and Diocletian
would have constrained them to carve an idol, but they would not
carve it, nor consent to do sacrifice to the idols. And then by the
commandment of Diocletian they were put into tuns of lead all liv-
ing, and cast into the sea about the year of our Lord two hundred
four score and seven. And Melchiades, the pope, ordained these
four saints to be honoured and to be called the four crowned mar-
tyrs before that their names were found.+
The feast day of the Four Crowned Martyrs is celebrated on
November 8 and churches in some way dedicated to them can be found
in a number of locations. There is a Church of the Quatro Santi
Coronati in Rome and a depiction of the Four Crowned Martyrs can be
* C. Van Cauvenberghs, La Corporation des Quatre Couronnes d'Anvers (Anvers,
1889). Deserving special mention is the handsome sixteenth-century triptych that once
graced either the corporative hall of the Craft of the Four Crowned Martyrs in Brussels
or the altar of Saint Catherine Church in the Chapel of the Crowned Martyrs. Today it
is housed in the Municipal Museum and is reproduced in P. du Colombier's book, Les
Chanters des Cathedrales, plates XXIV and XXV.+
Jacobus de Voraique, The Golden Legend or Lives of the Saints, ed. by F. S. Ellis
(Edinburgh: T. and A. Constable / University Press, 1900). The 1942 French translation
of this book reproduces an engraving that depicts the saints holding a mallet, rule,
square, and prybar.