Handbook for Sound Engineers

(Wang) #1
Sound System Design 1253

where,
x is any distance,
other terms are as before.

Example:
Let
Do = 128 ft,
EAD = 4 ft,
Q = 5,
S = 28,000 ft^2 ,
a = 0.35.


then,


and,


These two equations are mathematically equivalent to
Eqs. 34-21 and 34-22 and will produce the same answers
given the same data. Eq. 34-21 and 34-22 may be easier
to understand and to insert in a computer program.
In addition, it should be noted that some users prefer
to place the NOM (number of open microphones) and
6 dB feedback stability margin (FSM) terms in the NAG
equation rather than in the PAG equation. This author
believes that they belong in the PAG equation since
including them produces a value of PAG more nearly
equal to that which will be measured in the installed
system. While PAG and NAG values will differ with
placement of the two terms, the PAG – NAG value
(which is the most important result) will be the same
regardless of the placement of the two terms.
Also, as before, if PAG is greater than or equal to
NAG, it’s reasonable to assume that the system will be
stable and not feed back.
In Eq. 34-21, the terms Ds, D 1 , D 2 , Do, and NOM are
as explained in the simplified (outdoor) system. In Eq.
34-22, use the simplified system estimate for EAD Eq.
34-7, ignoring the effects of the reverberant field. This
puts the estimate on the safe side for the NAG calcula-
tion. The equations for PAG and NAG are similar to the
equations given for the simplified system, Eqs. 34-5 and
34-8, except for the 10log[ ] terms that can be interpreted
as modifications caused by the room reverberant field.


34.2.3.4.6 The Effect of Directional Microphones and
Loudspeakers

In a reverberant room, the effect of directional micro-
phones is less significant than in the outdoor case. The
reason is that the amount of reverberant sound energy
picked up by the microphone depends very little on the
microphone’s pickup pattern (a cardioid microphone
picks up more reverberant sound from the front, which
compensates for its reduced rear pickup). A directional
microphone will, however, exhibit higher gain in the
direction of the talker which has the same effect on
feedback as a reduction in Ds. This improvement may
be as much as 2 or 3 dB and it is not included in any of
the PAG or NAG equations.
Directional loudspeakers may reduce the amount of
direct sound energy reaching the microphone but do not
substantially reduce the amount of reverberant sound
reaching the microphone, since this is usually domi-
nated by the nondirectional low-frequency loud-
speakers. Note that the indoor PAG equation Eq. 34-21
already includes the effect of directional loudspeakers
on the reverberant field. Thus, it is best to assume that
no additional gain before feedback will be provided by
directional loudspeakers.

34.2.3.5 Validity of the Model in a Geometrically
Complex Room

In effect, the equations just presented form a mathemati-
cal model of the interactions between a room and a
sound system. The question arises, “Just how valid is
this model?” The answer is to remember that the model
assumes a well-developed, statistically random reverber-
ant field in a room with simple geometry. Thus the
model can be very accurate in a room like a high-school
gymnasium or a rectangular church. Add balconies,
transepts, or other complexities, and the equations, while
still useful, cannot adequately describe the entire room.
One way to deal with more complex rooms is to treat
them as two or more acoustically separate spaces. A
large stage with hardwood floors and reflecting walls
and ceiling, for example, may be coupled to an audience
seating area with padded seats, carpeting, and draped
walls. A reverberant cathedral may have an
under-balcony area that is very different acoustically
from the main room. System design and the use of the
equations will be improved by treating these different
spaces as entirely different rooms that just happen to
share a common boundary (an imaginary wall).
An equation for the overall combined reverberation
time in such a dual-space room is

'x 10 Q
4 Sx^2

------------^4

–= log©¹§·----- -+

'Do=33.6

'EAD 16=

NAG 33.6+= 16.0
=17.7 dB
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