1300 Chapter 34
If the source device has a lower output level than the
load device, a line-level preamplifier could be
connected between them to give the required amount of
gain. In many cases, however, simply connecting these
two devices will prove satisfactory. The worst that can
happen here is additional hiss, which may be tolerable.
34.5.1.7.9 The dBV Specification
All professional equipment uses a dBu or dBm refer-
ence for any “+4” input or output. Some professional
microphones and consumer type equipment, however,
may have outputs that are rated in dB using a dBV ref-
erence. When in doubt about the dB reference, consult
the owner’s manual for the equipment or, measure the
output with a known signal.
The level in dBV is found from
(34-35)
where,
dBV is the voltage level in dBV,
V is the voltage level in volts,
1 is the reference level for dBV in volts.
34.5.1.7.10 Impedance and Power Transfer
To understand what happens to the power output of an
amplifier when different impedances are connected to it,
find the rated power output of the amplifier and its rated
load impedance. That rated load impedance is usually
the minimum acceptable load impedance of the
amplifier.
In addition, find the true minimum impedance of the
loudspeaker as well as its rated or nominal impedance.
Normally, the nominal impedance of the loudspeaker
will be used to make impedance-matching calculations
like those described in the next paragraph. The
minimum impedance of a loudspeaker, however, can
fall significantly below its nominal impedance, and a
loudspeaker with an extremely low minimum imped-
ance could even overload a power amplifier whose rated
load impedance was acceptable for rated nominal
impedance of the loudspeaker.
Some professional power amplifiers are designed to
accept impedances as low as 2: because of the very
low minimum impedance of some loudspeakers. Many
8 : loudspeakers (8: is the rated or nominal imped-
ance), for example, have minimum impedances of 6:
or even as low as 5:. Two of these loudspeakers in
parallel would have a minimum impedance of 2.5: ,
Figure 34-63. Typical sound reinforcement system gain/level chart. Courtesy Fender Musical Instruments.
Lo-Z in
Hi-Z in
14 dB
PAD
Insertion
Trim
0 dB
to
+40 dB
(gain)
Lo
Hi
Mid
10dB
at "0"
position
+10dB 10dB
at
"0"
position
+24 dB +27 dB200W
47
Input
Fader Pan LineOut G-EQ
In
Program
fader
Pre
amp
out
Pre
amp
in
Power
amp
out
1 Hi-Z in clip line
2 Lo-Z in clip line
3 Hi-Z in nominal line (trim at min)
4 Lo-Z in nominal line (trim at min)
5 Hi-Z in nominal line (trim at max)
6 Lo-Z in nominal line (trim at max)
7 Lo-Z in max gain line (trim & all faders at max)
8 Hi-Z in noise floor line
9 Lo-Z in noise floor line
Note 1: +4 dB at the power amp in jack produces 200 W/4 7 at the power amp out jack.
Note 2: Signal-to-noise ratio of lo-Z in is 74 dB; of hi-Z in is 66 dB.
Note 3: 0-dB reference is 0.775 V.
dBV 20 V
1
= log---