Handbook for Sound Engineers

(Wang) #1
Acoustics for Auditoriums and Concert Halls 199


  1. H.P. Tennhardt, “Modellmessverfahren für Balanceuntersuchungen bei Musikdarbietungen am Beispiel der Pro-
    jektierung des grossen Saales im Neuen Gewandhaus Leipzig” (Model Measuring Procedures for Balance Inves-
    tigations of Musical Performances Demonstrated on the Example of the great Hall of the Neues Gewandhaus
    Leipzig), Acustica 56 (1984) Nr. 2 (Oktober 1984), pp. 126–135.

  2. L. Cremer and H. Mueller, Die Wissenschaftlichen Grundlagen der Raumakustik, Band I (The Scientific Founda-
    tions of Room Acoustics, Vol. 1, S. Hirzel Verlag Stuttgart, 1978.

  3. H. Winkler, “Das Nachhallreservoir, Bedeutung und Beeinflussung” (The Reverberation Time Reservoir, Impor-
    tance and Control), Fortschritte der Akustik—DAGA 95, pp. 315-318.

  4. K. Takaku and S. Nakamura, “A Report on the Relationship between Orchestra Shell Design and Musicians’
    Acoustical Impression,” 15th Intern. Congress on Acoustics, Trondheim, June 1995, pp. 525–528.

  5. A. Askenfeld, Stage Floors and Risers—Supporting Resonant Bodies or Sound Traps? In: S. Ternström, Acous-
    tics for Choirs and Orchestra. Stockholm, 1986.

  6. J.H. Rindel, Acoustic Design of Reflectors in Auditoria. Proc. Inst. of Ac. 14, Part 2, p. 119.

  7. M. Vorlaender, and E. Mommertz, “Definition and Measurement of Random-Incidence Scattering Coefficients,”
    Appl. Acoustics 60, (2000), (2), 187-200.

  8. E. Meyer and L. Bohn, “Schallreflexion an Flächen mit periodischer Struktur” (Sound Reflections at Surfaces
    with Periodical Structure), Acustica 2 (1952), H. 4, pp. 195–207.

  9. M. R. Schroeder, “Binaural Dissimilarity and Optimum Ceilings for Concert Halls: More Lateral Sound Diffu-
    sion,” JASA, Vol. 65 (1992), No.4, p. 958 ff.

  10. M. R. Schroeder, “Modulation Transfer Functions: Definition and Measurement,” Acustica, Vol. 49 (1981).

  11. N. Kiesewetter, “Schallabsorption durch Platten-Resonatoren” (Sound Absorption by Panel Resonators),
    Gesundheits-Ingenieur Gi 101 , (1980), H.3, pp. 57–62.

  12. The New Microsorber from Käfer, Product Information of Käfer Isoliertechnik, Bremen, Germany,
    http://www.kaefer.com.

  13. E. Mommertz, Untersuchungen akustischer Wandeigenschaften und Modellierung der Schallrückwürfe in der
    binauralen Raumsimulation, (Investigations of Acoustic Wall Properties and Modelling of Sound Reflections in
    Binaural Room Simulations), Aachen: Shaker, 1996.

  14. L.L. Beranek, Concert halls and Opera Houses, Music, Acoustics, and Architecture, New York: Springer, 2nd
    edition 2004.

  15. T. Cox and P. D’Antonio, Acoustic Diffusers and Absorbers: Theory, Design and Application, London: T&F
    Group, SPON, 2004.

  16. M. Vorlaender, and E. Mommertz, “Measurement of Scattering Coefficients of Surfaces in the Reverberation
    Chamber and in the Free Field,” Proc. 15th ICA, II, (1995), 577–580.

  17. M. H. Gomes, M. Vorlaender, and S.N. Gerges, “Anforderungen an die Probeflächengeometrie bei der Messung
    des Streugrades im Diffusfeld,” Fortschritte der Akustik—DAGA ’02 – Bochum, S. 584–585.

  18. ISO 17497, 2004 (E), Acoustics—Sound-Scattering Properties of Surfaces.

  19. D. Kleis, “Moderne Beschallungstechnik” (Modern Sound Reinforcement). Philips tech. Rdsch. 20 (1958/59) 9,
    S. 272ff. und 21 (1959/60) 3, S. 78ff.

  20. E. Meyer, and H. Kuttruff, “Zur Raumakustik einer großen Festhalle” (Regarding the Room Acoustic of a Large
    Festival Hall), Acustica 14 (1964) 3, S. 138–147.

  21. W. Kaczorowski, “Urzadzenia elektroakustyczne i naglosnia w Wojewodzkiej Hali Widowiskowo-Sportowej w
    Katowicach” (Electroacoustic Equipment in the Wojewod Sport Hall in Katowice). Technika Radia i Telewizji 4
    (1973) S. 1–16.

  22. C. McGregor, “Electronic Architecture: the Musical Realities of Its Application,” 6th Int. Conf. Sound Rein-
    forcement, Nashville, 1988.

  23. “Sound System Design for the Eugene Performing Arts Center, Oregon,” Recording-Eng./Producer, (1982)
    S.86–93.

  24. P.H. Parkin, and K. Morgan, “‘Assisted Resonance’ in the Royal Festival Hall, London,” J. Sound and Vibration
    2 (1965) 1, S.74–85.

  25. “A Special Report on the Experimental (“Assisted Resonance”) System in the Royal Festival Hall, London,” J.
    Sound and Vibration. 1 (1964) 3, S.335–342.

  26. N.V. Franssen, “Sur l`amplification des champs acoustiques,” Acustica 20 (1968), S. 315 ff.

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