Handbook for Sound Engineers

(Wang) #1

496 Chapter 16


phones because they discriminate between signal and
random unwanted noise. This has many advantages
including:



  • Less background noise,

  • More gain before feedback especially when used in
    the direct field,

  • Discrimination between sound sources.


The cardioid pattern can be produced by one of two
methods:



  1. The first method combines the output of a pressure
    diaphragm and a pressure-gradient diaphragm, as
    shown in Fig. 16-10. Since the pressure-gradient
    diaphragm has a bidirectional pickup pattern and
    the pressure diaphragm has an omnidirectional
    pickup pattern, the wave hitting the front of the
    diaphragms add, while the wave hitting the rear of
    the diaphragm cancels as it is 180° out-of-phase
    with the rear pickup pattern of the pressure
    diaphragm. This method is expensive and seldom
    used for sound reinforcement or general-purpose
    microphones.
    2. The second and most widely used method of
    producing a cardioid pattern is to use a single
    diaphragm and acoustically delay the wave
    reaching the rear of the diaphragm. When a wave
    approaches from the front of the diaphragm, it first
    hits the front and then the rear of the diaphragm
    after traveling through an acoustical delay circuit,
    as shown in Fig. 16-11A. The pressure on the front
    of the diaphragm is at 0° while on the rear of the


Figure 16-7. Cardioid pickup pattern. Courtesy Shure
Incorporated.


Figure 16-8. Supercardioid pickup pattern. Courtesy Shure
Incorporated.


Figure 16-9. Hypercardioid pickup pattern. Courtesy
Sennheiser Electronic Corporation.

Figure 16-10. Two-diaphragm cardioid microphone.

Input Output

Input Output

Diaphragm
movement
Sound
Front wave

Rear

Sound
wave

Pressure
gradient
cartridge

Pressure
cartridge
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