Handbook for Sound Engineers

(Wang) #1

502 Chapter 16


diagram of the RE20. By moving the red wire to either
the 250:or 50: tap, the microphone output imped-
ance can be changed. Note the “bass tilt” switch that,
when open, reduces the series inductance and, therefore,
the low-frequency response.


16.2.3.1.6 Two-Way Cardioid Microphones


In a two-way microphone system, the total response
range is divided between a high-frequency and a
low-frequency transducer, each of which is optimally
adjusted to its specific range similar to a two-way loud-
speaker system. The two systems are connected by
means of a crossover network.
The AKG D-222EB schematically shown in
Fig. 16-28 employs two coaxially mounted dynamic
transducers. One is designed for high frequencies and is
placed closest to the front grille and facing forward. The
other is designed for low frequencies and is placed
behind the first and facing rearward. The low-frequency
transducer incorporates a hum-bucking winding to
cancel the effects of stray magnetic fields. Both trans-
ducers are coupled to a 500 Hz inductive-capaci-
tive-resistive crossover network that is electro-
acoustically phase corrected and factory preset for
linear off-axis response. (This is essentially the same
design technique used in a modern two-way loud-
speaker system.)
The two-way microphone has a predominantly
frequency-independent directional pattern, producing
more linear frequency response at the sides of the
microphone and far more constant discrimination at the
rear of the microphone. Proximity effect at working
distances down to 6 in (15 cm) is reduced because the
distance between the microphone windscreen and the
low frequency transducer is large.
The D-222EB incorporates a three-position
bass-roll-off switch that provides 6 dB or 12 dB attenu-


ation at 50 Hz. This feature is especially useful in
speech applications and in acoustically unfavorable
environments with excessive low-frequency ambient
noise, reverberation, or feedback.

16.3 Types of Transducers

16.3.1 Carbon Microphones

One of the earliest types of microphones, the carbon
microphone, is still found in old telephone handsets. It
has very limited frequency response, is very noisy, has
high distortion, and requires a hefty dc power supply. A
carbon microphone^4 is shown in Fig. 16-29 and operates
in the following manner.

Several hundred small carbon granules are held in
close contact in a brass cup called a button that is
attached to the center of a metallic diaphragm. Sound
waves striking the surface of the diaphragm disturb the
carbon granules, changing the contact resistance
between their surfaces. A battery or dc power source is
connected in series with the carbon button and the
primary of an audio impedance-matching transformer.

Figure 16-27. Electro-Voice RE20 cardioid wiring diagram.
Note “bass tilt” switch circuit and output impedance taps.
Courtesy Telex Electro-Voice.


Yel

Blu

Blk
Cartridge

Blk

0.56 MF

150 7
50 7
Red

Grn 140 mH Yel

Bass tilt

Yel

0.2 mH

Red

Case
gnd

Grn

Blu

Red

Shield

Figure 16-28. Schematic of an AKG D222EB two-way
cardioid microphone. Courtesy AKG Acoustics, Inc.

Figure 16-29. Connection and construction of a
single-button carbon microphone.

Replacement transducer/crossover module
Red
Front
facing
HF
transducer

YEL

Black

Hum-bucking
coil

Rear
facing
transducer LF
+

+ Factorypreset for
most linear
response at
90 ooff axis

12dB
6dB

White

Bass-
rolloff
switch
3 2
1

Red (in phase)
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