230
in 1931 andtheHallgartcnPrizeattheNationalAcademyofDesign;nextyear,1932,
FirstPrizeatl)oththePasadena(California)ArtInstituteandtheCaliforniaState
Fair;theIsadorGoldMedalwasawardedhimattheNationalAcademyin 1933
andFirstPrizeattheSantaCruz(California)ArtLeague.Theyear 1936 brought
threeawards:TheTempleGoldMedalatthePennsylvaniaAcademyoftheFineArts,
aprizeattheLosAngelesC^ountyMuseum,andHonorableMentionattheCarnegie
International Exhibitionof Paintings.Samplealsowonaprizeat theNational
.•\cadomyin1947.
Hisworkisrepresented inovertwenty-fivecollectionsinthiscountry: The
.AddisonCiallcryofAmericanArt,Phillips.Academy,Andover,Massachusetts;High
Museumof/\rtatAtlanta,Georgia;BrooklynMuseum;MuseumofFineArtsin
Boston;Canajoharie(NewYork)Libraryand.'\rlGallery;ChesapeakeandOhio
RailwayCompany;Cleveland(Ohio) MuseumofArt;.XrtInstituteofChicago;
Dartmouth College,Hanover,NewHampshire; FoundationofWesternArt, Los
.Angeles,California;CurrierGalleryof.Art,Manchester,NewHampshire;Brooks
Memorial .Art Gallery in Memphis, Tenne.s.sce; Montclair (New Jersey) .Art
Museum;artmuseumoftheNewBritain(Connecticut)Institute;MetropolitanMu-
seumofArt,NewYork;JoslynMemorialArtMuseum,Omaha,Nebraska;Gimbel
collectioninPhiladelphia,Pennsylvania;Portland(Maine)SocietyofArt(L.D.M.
SweatMemorialArtMuseum);museumoftheRhodeIslandSchoolofDesignin
Providence;FineArtsSocietyofSanDiego,California;Springfield(Mas.sachu.setts)
MuseumofFine.Arts;.SwarthmnrcCollege,Swarthmore,Pennsylvania;universities
ofMinnesota,Nebraska,andSouthernCalifornia;TheWhiteHousein\\ashington,
D.C.;WilliamsCollege.^Villiamstown,Massachusetts;andtheButler.ArtInstitute
atYoungstown,Ohio.SamplelivesinNorwich,Wrmont; hisstudioisinHan-
over,NewHampshire.
SCHULEIN,JuliusVV.,Harbor, 28 x32'/2. Illustration—Plate 107
"Whatisaworkofart?Acreationofbeauty?Tospeakaboutbeautyisnot
fashionablenowadaysandwecannotexplainwhatbeautyis.Isaworkofartthe
expressionofapersonality,abletocommunicatetoothers?Butwhatisthegreat-
nessofapersonality?Likeallthingsconcerninglifeitisamystery..Anartistmay
knowallaboutthecompositionofapainting,allabouttherelationshipofcolors,
lines,shapes;hemaybeamaster(taftsman,butwithoutthismysteryhewillnot
createarealworkofart.Braquesaid:"Inartisonlyonethingofvalue,thatwhich
cannotbeexplained.'Braquesaidal.so:"Toarriveatanabstractionyoumuststart
fromnature...ifyoulosecontactwithnatureyouwillendinevitablyindecora-
tion.'MypaintingHarbor,likeallmypaintings,wasmadeinthestudioandnotfrom
nature.Itisnotdocumentary,butitisbasedondocumentstakenfromnature,I
triedtoexpresswithpictorialmeanstheinspirationIoncegotfromalandscapein
Normandy.
"
JuliusW.SchuleiiiwasborninMunichin1881. Hestudiedinhisnativecity
andinParis.ThecontactwiththeartsandartistsofPariswasadecisivefactorin
hisdevelopment.HewasoneofthefoundersoftheNewSecessioninMunich,a
memberoftheDeutscheKiinstlerbundandoftheSecessioninBerlin.Hetraveled
inItaly,Spain,andinFrance,wherehedidmostofhiswork,tookupresidenceafter
Hitlersrisetopower,andmarriedtheFrenchpainterSuzanneCarvallo.In 1941
hecametothiscountry,settledinNewYorkCity,andbecameacitizenin1947.
HehashadprivatestudentsinbothParisandNewYork.Hisfirstone-man.showwas
