The Life of John Milton: A Critical Biography

Bibliography

Bosher, R. S., The Making of the Restoration Settlement: The Influence of the Laudians, 1649–

1652. New York: Oxford University Press, 1951.
      Bottkol, Joseph M., “The Holograph of Milton’s Letter to Holstenius,” PMLA 68 (1953),
      617–27.
      Bowra, C. M., From Virgil to Milton. London: Macmillan, 1945.
      Bradner, Leicester, “Milton’s ‘Epitaphium Damonis.’ ” Times Literary Supplement (August 18,
      1932), 581.
      Bradner, Leicester, Musae Anglicanae: A History of Anglo-Latin Poetry, 1500–1925. New York:
      Modern Language Association, 1940.
      Breasted, Barbara, “Comus and the Castlehaven Scandal,” MS 3 (1971), 201–23.
      Bredvold, Louis, “Milton and Bodin’s Heptaplomeres,” Studies in Philology 21 (1924), 399–


1653. 
      

      Brown, Cedric C., “The Chirk Castle Entertainment of 1634,” MQ 11 (1977), 76–86.
      Brown, Cedric C., “Milton’s Arcades: Context, Form, and Function,” Renaissance Drama 8
      (1977), 245–74.
      Brown, Cedric C., “Milton’s ‘Arcades’ in the Trinity Manuscript,” Review of English Studies,
      n.s. 37 (1986), 542–9.
      Brown, Cedric C., Milton’s Aristocratic Entertainments. Cambridge: Cambridge University
      Press, 1985.
      Brown, Cedric C., “A King James Bible, Protestant Nationalism, and Boy Milton,” in Amy
      Boesky and Mary Thomas Crane, eds, Form and Reform in Renaissance England: Essays in
      Honor of Barbara Kiefer Lewalski. Newark: University of Delaware Press, 2000.
      Brown, Cedric C., “Milton and the Idolatrous Consort,” Criticism 35 (1993), 419–39.
      Burns, Norman T., “ ‘Then Stood up Phinehas’: Milton’s Antinomianism, and Samson’s,”
      MS 33 (1996), 27–46.
      Bush, Douglas, “The Date of Milton’s Ad Patrem,” Modern Philology 61 (1963–4), 204–8.
      Bush, Douglas, John Milton: A Sketch of his Life and Writings. New York: Macmillan, 1964.
      Byard, Margaret, “ ‘Adventrous Song’: Milton and the Music of Rome,” in Mario Di Cesare,
      ed., Milton in Italy: Contexts, Images, Contradictions. Binghamton, NY: MRTS, 1991, 305–

      
      


1654. 
      

      Cable, Lana, “Milton’s Iconoclastic Truth,” in David Loewenstein and James Grantham
      Turner, eds, Politics, Poetics, and Hermeneutics in Milton’s Prose. Cambridge: Cambridge
      University Press, 1990, 135–51.
      Campbell, Gordon, “Imitation in Epitaphium Damonis,” in James A. Freeman and Anthony
      Low, eds, Urbane Milton: The Latin Poetry. MS 19. Pittsburgh: University of Pittsburgh
      Press, 1984, 165–77.
      Campbell, Gordon, “Milton’s Accidence Commenc’t Grammar,” MQ (1976), 39–48.
      Campbell, Gordon, “Milton’s Second Tutor,” MQ 21 (1987), 81–90.
      Campbell, Gordon, and Sebastian Brock, “Milton’s Syriac,” MQ (1993), 74–7.
      Campbell, Gordon, Thomas N. Corns, John K. Hale, David I. Holmes, and Fiona J. Tweedie,
      “The Provenance of De Doctrina Christiana,” MQ 31 (1997), 67–121.
      Carey, John, Milton. New York: Arco, 1970.
      Chambers, D. C., and Quiviger, F., eds, Italian Academies of the Sixteenth Century. London:
      Warburg Institute, 1995.
      Chaney, Edward. The Grand Tour and the Great Rebellion: Richard Lassels and “The Voyage of
      Italy” in the Seventeenth Century. Geneva: Slatkine, 1985.