BibliographyAnthony Low, eds, Urbane Milton: The Latin Poetry. MS 19. Pittsburgh: University of
Pittsburgh Press, 1984, 149–75.
Knoppers, Laura Lunger, Constructing Cromwell: Ceremony, Portrait, and Print 1645–1661.
Cambridge: Cambridge University Press, 2000.
Knoppers, Laura Lunger, Historicizing Milton: Spectacle, Power, and Poetry in Restoration Eng-
land. Athens, Ga. and London: University of Georgia Press, 1994.
Knoppers, Laura Lunger, “Milton’s The Readie and Easie Way and the English Jeremiad,” in
David Loewenstein and James Grantham Turner, eds, Politics, Poetics, and Hermeneutics in
Milton’s Prose. Cambridge: Cambridge University Press, 1990, 213–25.
Knott, John R., Milton’s Pastoral Vision: An Approach to Paradise Lost. Chicago: Chicago
University Press, 1971.
Kranidas, Thomas, The Fierce Equation: A Study of Milton’s Decorum. The Hague: Mouton, 1965.
Kranidas, Thomas, ed., New Essays on Paradise Lost. Berkeley: University of California Press,
1969.
Kranidas, Thomas, “Style and Rectitude in Seventeenth-Century Prose: Hall, Smectymnuus,
and Milton,” Huntington Library Quarterly 46 (1983), 237–69.
Kranidas, Thomas, “Words, Words, and the Word: Milton’s Of Prelatical Episcopacy,” MS 16
(1982), 153–66.
Labriola, Albert C., “Portraits of an Artist: Milton’s Changing Self-Image,” in James A.
Freeman and Anthony Low, eds, Urbane Milton: The Latin Poetry. MS 19. Pittsburgh:
University of Pittsburgh Press, 1984, 179–203.
Lacan, Jacques, Ecrits: A Selection, ed. and trans. Alan Sheridan. New York: Norton, 1977.
Lambert, Ellen, Placing Sorrow: A Study of the Pastoral Elegy Convention from Theocritus to
Milton. Chapel Hill: University of North Carolina Press, 1976.
Landy, Marcia, “Kinship and the Role of Women in Paradise Lost,” MS 4 (1972), 3–18.
Leach, A. F., Milton as Schoolboy and Schoolmaster. London: British Academy, 1908.
Le Comte, Edward, Milton’s Unchanging Mind. Port Washington, NY: Kennikat Press, 1973.
Leishman, James B., Milton’s Minor Poems. London: Hutchinson, 1969.
Leslie, Michael, “The Hartlib Papers Project: Text Retrieval with Large Datasets,” Literary
and Linguistic Computing 5 (1990), 58–69.
Lewalski, Barbara K., “Innocence and Experience in Milton’s Eden,” in Thomas Kranidas,
ed., New Essays on Paradise Lost. Berkeley: University of California Press, 1969, 80–117.
Lewalski, Barbara K., “Milton and De Doctrina Christiana: Evidences of Authorship,” MS 36
(1999), 203–28.
Lewalski, Barbara K., “Milton and the Hartlib Circle: Educational Projects and Epic Paideia,”
in Diana Treviño Benet and Michael Lieb, eds, Literary Milton: Text, Pretext, Context.
Pittsburgh: Duquesne University Press, 1994, 202–19.
Lewalski, Barbara K., Milton’s Brief Epic: The Genre, Meaning, and Art of Paradise Regained.
London: Methuen, 1966.
Lewalski, Barbara K., “Milton’s Comus and the Politics of Masquing,” in David Bevington
and Peter Holbrook, eds, The Politics of the Stuart Court Masque. Cambridge: Cambridge
University Press, 1998, 296–320.
Lewalski, Barbara K., “Milton’s Samson and the ‘New Acquist of True [Political] Experi-
ence,’ ” MS 24 (1999), 233–51.
Lewalski, Barbara K., Paradise Lost and the Rhetoric of Literary Forms. Princeton, NJ: Princeton
University Press, 1985.