Cities of God: The Religion of the Italian Communes 1125-1325

(Darren Dugan) #1

TheCityWorships 259 


phant hymns like the ‘‘Vexilli Regis’’ of Passiontide.^155 When Bona of Pisa


went to Sunday Mass at the collegiate church of San Giacomo in Podio, she


heard a choir of seven Pisan clerics. The music was so exquisite that she


was certain she could hear Christ and his apostles singing with the choir.^156


Laywomen were also connoisseurs of good chant.


Execution of the cult with elegance, solemnity, and attention was always


a crowd pleaser. Collegiate churches, with their larger staffs and resources,


were magnets. So was the duomo, the Mother Church of the city, where one


might even find the bishop himself ‘‘pontificating’’ when he was in town.^157


Secular priests went complaining to Pope Innocent IV about the laity’s de-


serting their proper chapels to go to the churches of the mendicants: ‘‘these


two orders celebrate Mass so well that the people turn to them.’’ Fra Salim-


bene of Parma, who reported this incident, could not resist suggesting that


the secular clergy’s real complaint was loss of money rather than people.^158


That the laity’s taste for finer and more edifying liturgy led them to the friars


may reflect Salimbene’s Franciscan ego more than the reality, but synods of


diocesan clergy inveighed against laypeople’s going from church to church


in search of more spiritually satisfying Masses.^159 They responded in more


constructive ways, too, requiring that candles be properly lit during parish


services and, in particular, that the Host be properly illuminated at the eleva-


tion.^160 If parish priests could not outsing the friars, they could at least show


greater reverence for the Blessed Sacrament.


Churches did not attract the laity merely by the quality of their music, the


devotion of their ministers, or the splendor of their ceremonies. The worship


of a small cappella, with its intimate community of friends, had an immedi-


acy that monastic churches and cathedrals lacked. In small churches, clerics


bent the rules and even invited the laity to come within the choir screen for


the Consecration.^161 This not only permitted closer visual contact with the


consecrated Host but even allowed the people to hear the whispering of that


most sacred of prayers, the Canon, by which Christ’s body and divinity were


made present under the forms of bread and wine. The canons of the cathe-


dral at Siena surely understood the lay desire for immediacy when they


allowed the great solemn Mass to be moved from the high altar in the choir


to altars in the nave on the feasts of the saints to whom the altars were


dedicated.^162 But there always remained reasons for keeping the laity out of


the choir and at a reverential distance. Fra Nicola of Tolentino celebrated


155 .Ordo Senensis, 1. 11 ,p. 12 ; 1. 126 ,p. 112.
156 .Vita [Sanctae Bonae Virginis Pisanae], 3. 28 ,p. 150.
157. As at Bologna, where an earthquake struck in 1222 during the bishop’s Mass:CCB, 85 – 87.
158. Salimbene,Cronica( 1250 ), 607 – 8 , 610 – 11 , Baird trans., 425 , 427.
159. See, e.g., Piacenza Stat. Cler. ( 1297 ), p. 532 ;( 1337 ), 22 ,p. 542.
160. Lucca Synod ( 1308 ), 7 ,p. 215 ; 4 ,p. 177.
161. Trexler,Christian at Prayer, 125 n. 28 ; on the popularity of viewing, see Kennedy, ‘‘Moment of
Consecration,’’ 125 – 42.
162 .Ordo Senensis, 1. 58 ,p. 55.

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