Cities of God: The Religion of the Italian Communes 1125-1325

(Darren Dugan) #1

 390 BuoniCattolici


God of Truth, receive me.’’^43 The ritual then prescribed that the penitent


make a general confession of all the principal sins of her life. This probably


followed the forms found in the confessional manuals, since the priest had


brought his ‘‘penitential’’ with him. The priest could thus help the dying one


in her confession by again using a dialogue format. Sinners were to end their


confession with some formula acknowledging the misuse of the senses: ‘‘I


have sinned through my fault, Lord, before you and your saints, by my sight,


hearing, taste, smell, and touch, and I beseech you, priest of God, that you


pray for me to the Lord our God.’’^44 The priest then recited the absolution


prayers, reconciling the sinner to God. To these prayers, he suitably added


invocations asking the aid of the saints.


Confession and the preparation of a will allowed Christians to face declin-


ing health with a settled conscience. When they felt their strength declining,


but while they still retained their faculties, they were to call for the most


important rite of the deathbed, final Communion. In religious houses, this


ceremony had long been embellished and elaborated. The canons of Siena


made the rite even more impressive by holding their processions for viaticum


immediately following the solemn Mass of the day.^45 When Communion was


brought to a dying monk, a brother rang the bell of the chapter house.


Monks gathered in the choir for a procession to the sickroom, with the cele-


brant vested in a chasuble and carrying the Host in a chalice. The priest


would later cleanse his hands in that vessel after handling the Sacrament.


Candle-bearers led the procession, during which the brothers sang the psalm


‘‘Miserere Mei.’’ On arrival in the sickroom, the priest sprinkled it with


holy water. The dying brother begged the community for prayers, and after


recitation of the Confiteor and, in some places, the singing of the Agnus Dei,


the dying monk (or nun) received the sacred Host.^46


By the 1200 s, viaticum also had become a solemn rite for the laity. Unlike


the last confession, final Communion had a public nature and called on the


dying person’s neighbors to join the sacred drama. Taking viaticum to the


dying, as an official rite of the Church, was the pastor’s personal responsibil-


ity and could not be delegated to a layperson.^47 The parish priest donned


the surplice, covered in winter by a closed cape, and took up before his



  1. Florence, Biblioteca Nazionale Centrale,msPalat. 150 , fols. 35 r–v: ‘‘O Signore mio, in le tue mane
    arecomando lo spirito mio; tu Signore, Dio della veritade, mi recomprasti.’’ There follows in this manu-
    script a selection from the Latin commendation prayers for the dying from the Roman Ritual and the
    famous prayer ‘‘Anima Christi.’’
    44 .Rituale di Hugo [di Volterra], 286 – 87 : ‘‘Mea culpa peccavi Domine coram te et coram sanctis tuis
    in visu, in auditu, in gustu, in ordoratu et tactu preterea deprecor te sacerdos Dei ut ores pro me ad
    Dominum Deum nostrum.’’

  2. On Sienese rites, seeOrdo Senensis, 2. 87 – 92 , pp. 487 – 97 , esp. 2. 88 , pp. 490 – 93.

  3. Florence, Biblioteca Nazionale Centrale,msConv. Soppr. D. 8. 2851 , fols. 1 v– 3 r, a Florentine ex-
    ample; Verona, Biblioteca Capitolare,ms dccxxxvi(latexiiicent.), fols. 8 r– 12 r, an example from Pisa.

  4. Novara Synodii( 1298 ), 1. 2. 1. 4 , pp. 184 – 86. Nowhere is the observation of Arie`s,Western Attitudes,
    12 – 14 , that premodern death was ‘‘public,’’ more evident than in the rites of viaticum.

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