Notes to pages 26– 30 139
Press, 2008); Spiro Kostof (ed.), The Architect: Chapters in the
History of the Profession (Oxford and New York: Oxford
University Press, 1977). Thanks to Bart Verschaffel for drawing
these studies to my attention.
22 Hubertus Gunther, Das Studium der antiken Architektur in
den Zeichnungen der Hochrenaissance (Tübingen: Ernst
Wasmuth Verlag, 1988).
23 Antonio di Duccio Manetti, The Life of Brunelleschi, ed.
Howard Saalman, trans. Catherine Enggass (University Park:
Pennsylvania State University Press, 1970), 50–5.
24 Branko Mitrovic, ‘Andrea Palladio and the Writing of
Architectural History’, History as Practice: 25th Annual Con-
ference of the Society of Architectural Historians, Australia
and New Zealand, ed. Ursula de Jong & David Beynon
(Geelong, Vic.: SAHANZ, 2008), cd-rom, 2–3.
25 For Pirro’s Anteiquae Urbis Imago, consult the rich resource
‘Illustrated Catalogue of the Maps of Rome Online’ at http://
db.biblhertz.it/cipro/ (accessed 24 August, 2009). Compare
Lola Kantor-Kazovsky, Piranesi as Interpreter of Roman
Architecture and the Origins of his Intellectual World
(Florence: Leo S. Olschki Editore, 2006).
26 Claude Perrault, Ordonnances des cinq espèces de colonnes
selon la méthode des anciens (Paris: Coignard, 1683); Engl.
edn, Ordonnances for the Five Kinds of Columns after the
Method of the Ancients, trans. Indra Kagis McEwen (Santa
Monica, Calif.: Getty Center for the History of Art and
Humanities, 1993).
27 Julien-David Le Roy, Les Ruines des plus beaux monuments
de la Grèce. Ouvrage divisé en deux parties, où l’on considère,
dans la première, ces monuments du côté de l’histoire; et dans
la seconde, du côté de l’architecture (Paris: Chez H. L. Guerin
& L. F. Delatour, 1758); Engl. edn, The Ruins of the Most
Beautiful Monuments of Greece, trans. David Britt (Los
Angeles: Getty Research Institute, 2004); James Stuart &
Nicholas Revett, The Antiquities of Athens ([1762–1816,
1830], New York: Princeton Architectural Press, 2008).
28 Johann Joachim Winckelmann, Gedanken über die
Nachahmung der Griechischen Werke in der Malerei und
Bildhauerkunst ([Rome, 1755], Ditzingen: Reclam, 1986);
Engl. edn, ‘On the Imitation of the Painting and Sculpture of
the Greeks’, in Writings on Art, ed. David Irwin (London:
Phaidon, 1972), 61–85.
29 Lola Kantor-Kazovsky, ‘Pierre Jean Mariette and Piranesi: The
Controversy Reconsidered’, in The Serpent and the Stylus: