146 Notes to pages 55– 62
29 Terrence Riley & Barry Bergdoll (eds.), Mies in Berlin (New
York: Museum of Modern Art, 2001); Phyllis Lambert (ed.),
Mies in America (New York: Harry S. Abrams, 2001).
30 Marco De Michelis, Heinrich Tessenow, 1876– 1950 (Milan:
Electa, 1993); Claude Laurens, Architecture. Projets et
réalisations de 1934 à 1971 , ed. Johan Lagae, Vlees en
Beton 53–4 (Ghent: Vakgroep Architectuur en Stedenbouw,
Universiteit Gent, 2001).
31 One recent book that attends to this complexity from the
perspective of a New Zealand case is Justine Clark & Paul
Walker, Looking for the Local: Architecture and the New
Zealand Modern (Wellington: Victoria University Press, 2000).
For Clark and Walker, New Zealand architects operate
between processes of reception and invention, and the idea of
the local enters a relationship with the anti-local.
32 Compare Thomas DaCosta Kaufmann, Toward a Geography
of Art (Chicago: University of Chicago Press, 2004).
33 G. E. Kidder Smith, Switzerland Builds: Its Native and Modern
Architecture (London: Architectural Press; New York &
Stockholm: Albert Bonnier, 1950), 21. See also Giedion’s
introductory essay, ‘Switzerland or the Forming of an Idea’,
11 – 17.
34 Jul Bachmann & Stanislaus von Moos, New Directions in
Swiss Architecture (London: Studio Vista, 1969), 11.
35 Eberhard Hempel, Baroque Art and Architecture in Central
Europe: Germany, Austria, Switzerland, Hungary,
Czechoslovakia, Poland. Painting and Sculpture: Seventeenth
and Eighteenth Centuries; Architecture: Sixteenth to Eighteenth
Centuries, trans. Elizabeth Hempel & Marguerite Kay
(Harmondsworth: Pelican, 1965).
36 Antoine Quatremère de Quincy, ‘Type’, trans. in Samir Younés,
The True, the Fictive, and the Real: The Historical Dictionary
of Architecture of Quatremère de Quincy (London: Andreas
Papadakis, 1999), 254–5. Younés’s edition contains selected
translations from Quatremère de Quincy, Dictionnaire
historique d’architecture comprenant dans son plan les notions
historiques, descriptives, archéologiques, biographiques,
théoriques, didactiques et pratiques de cet art, 2 vols. (Paris:
A. Le Clère, 1832).
37 Marc-Antoine Laugier, Essai sur l’architecture (Paris: Chez
Duchesne, 1753).
38 Anthony Vidler, ‘The Third Typology’ [1977], in Architecture
Theory since 1968, ed. K. Michael Hays (Cambridge, Mass.:
MIT Press, 1998), 288–93.