148 Notes to pages 66– 69
50 Among the possible counter-examples, two occur to me:
Annemarie Adams, Medicine by Design: The Architect and the
Modern Hospital, 1893– 1943 (Minneapolis: University of
Minnesota Press, 2008); and Joseph Connors, Borromini and
the Roman Oratory: Style and Society (Cambridge, Mass.:
MIT Press; New York: Architectural History Foundation,
1980). Paul Walker also reminded me of the important example
provided by Paul Rabinow’s French Modern: Norms and
Forms of the Social Environment (Cambridge, Mass.: MIT
Press, 1989).
51 Reyner Banham, ‘A Black Box: The Secret Profession of
Architecture’ [1990], in A Critic Writes: Essays by Reyner
Banham, selected by Mary Banham, Paul Barker, Sutherland
Lyall & Cedric Price (Berkeley & Los Angeles: University of
California Press, 1996), 292–9.
52 Contrast, for example, Ronald Lewcock, ‘ “Generative
Concepts” in Vernacular Architecture’, in Vernacular
Architecture in the Twenty-First Century, ed. Lindsay Asquith
& Marcel Vellinga (London and New York: Routledge, 2006),
199 – 214.
53 Sigfried Giedion, Space, Time, and Architecture: The Growth
of a New Tradition (Cambridge, Mass.: Harvard University
Press, 1941).
54 Sigfried Giedion, The Eternal Present: A Contribution
on Constancy and Change, 2 vols. (New York: Pantheon,
1962).
55 Christian Norberg-Schulz, Intentions in Architecture
(Cambridge, Mass.: MIT Press, 1965); Existence, Space, and
Architecture (London: Studio Vista, 1971); Meaning in Western
Architecture (New York: Praeger, 1975). Compare Jorge
Otero-Pailos, ‘Photo[historio]graphy: Christian Norberg-
Schulz’s Demotion of Textual History’, JSAH 66, no. 2 (June
2007): 220–41.
56 John Macarthur & Antony Moulis, ‘Movement and Figurality:
The Circulation Diagram and the History of the Architectural
Plan’, in Celebration: 22nd Annual Conference of the Society
of Architectural Historians, Australia and New Zealand, ed.
Andrew Leach & Gill Matthewson (Napier, NZ: SAHANZ,
2005), 231.
57 Macarthur & Moulis, ‘Movement and Figurality’, 231.
58 Published in the Opera varie di architettura, prospettive,
grotteschi, antichità, reproduced in Giovanni Battista Piranesi:
The Complete Etchings, vol. I, ed. John Wilton Ely (San
Francisco: Alan Wofsy Fine Arts, 1994), 82.