152 Notes to pages 101– 18
Experience in Jamaica’, in Formulation Fabrications: The
Architecture of History, Proceedings of the 17th Annual
Conference of the Society of Architectural Historians,
Australia and New Zealand (Wellington: SAHANZ, 2000),
73 – 83.
11 Carr, What is History? 12.
12 Evonne Levy and Jens Baumgarten posed this distinction of a
number of scholars around the theme of the baroque, in ‘Our
Baroque Confection’, Revista canadiense de estudios hispánicos
33, no. 1 (Autumn 2008): 39–64, esp. 57–61.
13 Henry A. Millon, ‘History of Architecture – How Useful?’ AIA
Journal 34, no. 6 (December 1960): 23–5.
14 Millon, ‘History of Architecture – How Useful?’ 24 – 5.
15 Millon, ‘History of Architecture – How Useful?’ 25.
16 Bruno Zevi, Introduction to ‘L’opera architettonica di
Michelangiolo nel quarto centenario della morte. Modelli,
fotografi e e commenti degli studenti dell’Istituto di Architettura
di Venezia’, Architettura. Cronache e storia 9, no. 99 (January
1964): 654–712.
17 Millon, ‘History of Architecture – How Useful?’ 25.
18 Tafuri, Theories and History of Architecture, 151, 156.
19 A term advanced in Julie Willis & Philip Goad, ‘A Bigger
Picture: Reframing Australian Architectural History’,
Fabrications 18, no. 1 (June 2008): 6–23, esp. 16–19.
20 Carr, What is History? 23.
5 History and theory
1 Peter Collins, Changing Ideals in Modern Architecture
(London: Faber & Faber, 1965); Joseph Rykwert, The First
Moderns: The Architects of the Eighteenth Century (Cambridge,
Mass.: MIT Press, 1980); Kenneth Frampton, Modern
Architecture: A Critical History (London: Thames & Hudson,
1980). Compare Joseph Rykwert, The Judicious Eye:
Architecture against the Other Arts (Chicago: University of
Chicago Press, 2008); and John Macarthur, The Picturesque:
Architecture, Disgust, and Other Irregularities (London:
Routledge, 2007).
2 Jean-François Lyotard, La condition postmoderne. Rapport
sur le savoir (Paris: Minuit, 1979), Engl. edn, The Postmodern
Condition: A Report on Knowledge, trans. Geoffrey Bennington
and Brian Massumi (Minneapolis: University of Minnesota
Press, 1984).