172 reviel netz
applicable (which is rare), by Heiberg. My interpretation of this evidence is
based on the facts shown above – the non-metrical character of the manu-
scripts’ diagrams – as well as those to which I now turn: their non-iconic
character.
Heiberg goes iconic
I have suggested that Heiberg goes beyond the manuscripts, in making the
two-dimensional fi gures more of a ‘picture’ of the object they are designed
to represent. So far, my argument has been based purely on the contrast of
such two-dimensional diagrams to their three-dimensional counterparts.
What we require, then, is to see whether there are cases where Heiberg’s
representation of two-dimensional fi gures inserts into them a visual ‘cor-
rectness’ absent in the manuscripts. We have to a certain extent seen this
already with the quantitative, metrical character of Heiberg’s diagrams.
Even more striking, however, is a certain systematic way by which Heiberg’s
two-dimensional diagrams are qualitatively more ‘correct’ than those of the
manuscripts.
I turn now to SC i .33 (see Figure 3.5 ). I note quickly the metrical facts.
Th e fi gure by Heiberg has A much bigger than the main circle, which is
K
Z
A
E B
H
Θ
Γ
K
Z
A
E B
H
Δ Θ Δ
Γ
Heiberg Archimedes (reconstruction)
Figure 3.4 Heiberg’s diagram for Sphere and Cylinder i.12 and the reconstruction of Archimedes’
diagram.