I 17
INDEX
American people’s enthusiasm for, 678
fi rst, 1100
fi rst commercial photographic portrait
studio, 677–678
Petzval portrait lens, 678
price, 1101
results, 372
sentimental value, 1088
positive or negative, 367
postmortem photography, 1164
potential, 753
Pou Y Camps, Juan Maria, 1167
pre-prepared plates, 370–371
process, 367–368
process development, 368
professional exploitation of photography,
1100
public introduction, 368–370
Puliti, Tito, in Tuscany, 1178
Ratel, Frederic Patrice Clement Stanislas,
296, 296–297
Richebourg, Pierre Ambroise, 1194
right-reading images, 367
Root, Marcus Aurelius, America’s
preeminent daguerreotypist, 1208
Ruskin, John, 1224, 1225
Russian Empire
documental character, 1227
fi rst professional, 1228
popularity, 1228
Russian professionals, 1228
Ryder, James Fitzallen, 1233
Sabatier-Blot, Jean-Baptiste, 1235–1236
Schneider, Heinrich, 1249–1250
Schneider, Trutpert, 1249–1250
Schneider, Wilhelm, 1249–1250
sensitization process, 371
multi-phase sensitization, 371
Shew, William, 1266
Southworth, Albert Sands, 1320–1322,
1321
Spain, 1322–1325
stabilizing, 368
stereoscopy, 1340
still lifes, 1344–1345
subjects, 676
Sweden, 1367
talbotypes, compared, 370
toning, 1394
topographical photography, 1395–1396
training, 473
travel photography, fi rst book of travel
images, 1405
union cases, 952, 1420–1421, 1422
decorations, 952
inside case-lids, 952
unique direct positive, 1173
United States, 681–682, 1307–1308, 1424,
1425
American specialization, 1425
American successes, 682
competition, 1426
Daguerre did not patent in, 1425
development, 1424–1425
entrepreneurs, 1424
patents for technical improvements, 1425
popularity, 617
primarily social and technical dimension,
1424
unique durability, 1425
uses, 370
Vance, Robert H., 1440–1441
Walker, Samuel Leon, early American
daguerreotypist, 1465
Washington, Augustus, 1474
Wolcott, Alexander Simon, 1501–1502
Daintree, Richard, 99
Australia, 373
D’Alessandri, Antonio, 373–375
D’Alessandri, Fratelli, 373–375, 374
fi rst examples of Italian photojournalism,
374
Rome, 373–375
Vatican court, 372–375
Dallas, Duncan Campbell, 1075, 1118
Dallastype, 1118
Dallemagne, Adolphe Jean François Marin,
375
Dallmeyer, J.H. Limited, 376–377
Dallmeyer, John Henry, 848–849, 1209
improvements in photographic optics, 376
lenses, 376, 377
Dallmeyer, Thomas Ross, 376–377
lenses, 376
telephoto lens, 376
Dally, Frederick, 377
architectural photography, 377
Dammann, Carl Victor, 377–378
ethnological photography, 377–378
Dammann, Friedrich Wilhelm, 377–378
Dancer, John Benjamin, 378–380, 926–928,
1120
daguerreotypes, 379
inventor, 378–380
lenses, 380
microphotography, invention, 379
scientifi c and optical instrument maker,
379–380
Dandoÿ, Armand, 380–382
landscape photography, 381–382
portraits, 381–382
Darkrooms, 382–383
mobile, 383
Darlot, Alphonse, 384
inventor, 384
lenses, 384
d’ Arnaud, Camille, 152
Darwin, Charles Robert, 384–385, 568
commissioned custom-made photographs,
385
photograph use in scientifi c research, 384
Rejlander, Oscar Gustav, 385
Dauthendey, Karl, 385–386
Davanne, Louis-Alphonse, 386–387, 843
chemist, 386
innovator in photographic processes, 386
photogravures, 386
Société française de photographie, 387
founding member, 386
Davidson, Thomas, 387
camera manufacturers, 387
lenses, 387
Davison, George, 220, 222, 387–388, 1450
demonstrated that technology was
irrelevant, 1127
The Brotherhood of the Linked Ring,
387, 388
Eastman, George, 388
impressionist photography, 737–738
Managing Director of Kodak Ltd, 387,
388
Photographic Society of Great Britain
Exhibition, 388
political activities, 388
Davy, Sir Humphry, 389, 520, 606, 669–670,
1103, 1252
English chemist, 389
inventor, 389Wedgwood, Thomas, 1482–1483
comparative experiments, 1483
Day, Fred Holland, 389–391, 1127
art photography, 390
The Brotherhood of the Linked Ring, 389,
391
erotic photography, 390
exhibitions, 391
links with British photographic scene, 389
philanthropist, 389
sacred subjects, 390
Crucifi xion scenes, 390–391
self-portraiture, 1262
Daylight Kodak cameras, 251
Deane, James, 398
fossil photographs, 398
ichnology, 398
de Azevedo, Militao Augusto, 392
de Banville, Vicomte Aymard Athanase, 392
Egypt, 392
de Beaucorps, Gustave, 392
de Breébisson, Alphonse, 392–393
collodion, 392–393
exhibitions, 393
Société française de photographie, founding
member, 393
typifi es inquisitive amateur, 393
de Clerq, Louis, 393–394, 394
archaeological photography, 393–394, 394
de Gaillard, Paul, 1045
Degas, Edgar, 175, 399–400, 550, 1046
animal locomotion, 1047
biography, 400
characteristics of photography found in
Degas’ paintings, 326
composition, 326–328
experimented with photography, 399–400
fi gure studies, 399
Halévey family, 399–400
lighting, 399–400
photography style of, 399
portraits, 399
Delaborde, Henri, 401
art critic, 401
Conservator, Bibliothèque Nationale in
Paris, 401
Delacroix, Eugène, 455, 456
Delacroix, Ferdinand Victor Eugène
photography in Paris Salon, 402
romantic painters, 402
Société héliographique, 402
Delagrange, Baron Alexis, 402–404
architectural photography, 402–404
historic monuments, Indian architecture,
402–404
India, 402–404
Delamotte, Philip Henry, 404–406, 405, 1097
biography, 406
dismantling and rebuilding of Crystal
Palace, London, 404–405, 405
Exhibition of Art Treasures (Manchester,
1857), 1097
industrial photography, 404–406, 405
The Sunbeam, founder editor, 405
Delaroche, Hippolyte (Paul), 406–407
apocryphal remark, 407
Arago, François, 407
biography, 407
exhibition of paintings at Paris Salon, 406,
407
historical genre, 406, 407
Romantic painters, 406–407
de la Rue, Warren, 89, 394–395
astronomical photography