I 22
INDEX
Exhibitions (continued)
Llewelyn, John Dillwyn, 867
mechanics’ institutes, 508–509
Moulin, Félix-Jacques-Antoine, 946
Murray, John, 963–964, 965
museums of design and industrial products,
509
Netherlands, 989, 990, 1301–1302
Neurdein Frères, 992
Newhall, Beaumont, 997
New Zealand, 1285
Pennsylvania Academy of the Fine Arts in
1898, 185
Photo-Club de Paris, 1073
photographic practices, 1091
photographic retailing, 1094
photographic societies, 509
photographic studios, 509
photography criticism, 346, 347
photography fi rst exhibited, 896–897
pictorialism, 1129
Portugal, 1153
fi rst national photographic exhibition,
1153
preservation, 332
purposes, 508
Relvas, Carlos, 1189
Reutlinger, Charles, 1192
Richebourg, Pierre Ambroise, 1194
Root, Marcus Aurelius, exhibition
surveying history of photography,
1839-1876, 1208–1209
Royal Photographic Society, 1219, 1220
Russia, 1300–1301
Salon of 1846, 119
Salon of 1859, 119–120
Sherlock, William, 1265–1266
Smithsonian Institution, 1309
snapshot photography, 1278
Société française de photographie, 1280–
1281, 1295
catalogues, 1281
Exposition Universelle in Paris, 1295
Société héliographique, 1282
social and cultural value of photography
negotiated through, 509
South Kensington Museum, 1313
souvenir photographs, 1094
Spain, 1326
Stieglitz, Alfred, 1126–1127
Stuart-Wortley, Colonel Henry, 1354
Turner, Benjamin Brecknell, 1411–1412
United States, 1308–1309, 1428
Vienna International Photography
Exhibition, 1449–1450
Vigier, Le Vicomte Joseph, 1453–1454
White, Clarence Hudson, 1495
World Fairs, 508
Expeditionary photography, 510–512
American West, 511
Antarctic, 69–71, 70
Arctic, 69–71, 70
Brown, Eliphalet Jr., 222–224
civil and military exploration, 511
Egypt, 510–511
environmental extremes, 511–512
exploration, 510
Finland, 532
Gardner, Alexander, 570–572
Himalayas, 511, 512
Hime, Humphrey Lloyd, 664
Hungary, 728
instrument in tactical missions, 511
Jackson, William Henry, 765
Kern, Edward Meyer
North Pacifi c Expedition at sea, 795
sea routes between California and China,
795
landscape photography, 579–581
intentions, 580
U.S. government sponsored, 580–581
Orientalism, 1030
O’Sullivan, Timothy Henry, 1018–1020
Rau, William Herman, 1184
Royal Geographical Society, 1216–1218,
1217
photography’s new place in exploration,
1216–1217
records of hidden histories, 1217–1218
Sevastyanov, Petr Ivanovitch, 1265
Athos monasteries, 1265
Southeast Asia, 1315
Teynard, Félix, 1382–1383
visual documentation, 510
Expedition photography, 42
Experimentalism, 1069
Exposition Universelle in Paris, 512–514, 547
Exposure, 515, 515–516, 705
astronomical photography, 90
calotypes, 516
Claudet, Antoine François Jean, 302
daguerreotypes, 370, 371, 515
defi ned, 515
Driffi eld, Vero Charles, 733
dry collodion plates, 440
fast gelatine halide dry plates, 516
France, 549–550
gelatine dry plates, 438, 516
Goddard, John Frederick, 595
Hurter, Ferdinand, 733
instantaneous photography, 746
landscape photography, 818
measurement, 4–5
night photography, 1006
photogenic drawing, 515–516
pornography, 1149
postmortem photography, 1165
Pou Y Camps, Juan Maria, 1167–1168
science of photography, 1254
Talbot, William Henry Fox, 515–516
vvariables, 515
Watkins, Alfred, 1476
wet collodion negative, 1486
wet collodion process, 516
Exposure meters, 705–706
gelatine dry plates, 439
Goerz, Carl Paul, 597
Exposures tables, 4
Exposure tables, gelatine dry plates, 439
Expresstypie, 1118
Extinction meters, 5
Eye, 671, 672
study of, 1070
Eymundsson, Sigfús, 735, 736
Eynard, Jean-Gabriel, 517
Eyre, Edward John, 993
F
Füssli, Orell, 1074
Fading, 534, 1060–1061, 1077
albumen prints, 1060–1061
fi xers, 1060–1061
gold toning, 1061
Hardwich, T.F., 1060
experimental methodology, 1060
Photographic Society of London
Fading Committee chaired by Roger
Fenton, 1060, 1220, 1238Hardwich, T.F., 1060
sulphur, 1060
sulphur compounds, 534
washing, 1060–1061
Fakes, 552–553, 553
Falbe, Christian Tuxen, 410
Falk Studios, 116, 117
Fallowfi eld, Jonathan
chemist, 519
photographic chemical supplier, 519
Family photography, 431–434, 433
Denmark, 410–411
development of non-professional
photography, 432–433
family albums, 100, 434
family’s rites of passage, 431
acquisition of images, 431
iconography of entirely private domesticity,
434
middle class, 431
redefi nition of role, 431
rise of mass photography, 433–434
universally accessible photography,
433–434
Family trees, 953–954
Famin, Constant Alexandre, 519, 1181
landscape photography, 519
rural photographs, 519
Faraday, Michael, 520–521, 538
chemistry, 520
electric power, relation between electricity
and magnetism, 520
glass production, 520–521
light, 521
magneto-optical phenomena, 521
optical researches, 520–521
photochromic behavior, 521
Talbot, William Henry Fox, 521
Faradization, 446
Fardon, George Robinson, 263, 522–524
biography, 524
exhibitions, 522–523
portraits, 523
San Francisco, California, 522
fi rst photographic compilation depicting
American city, 524
photographic reporting, 522
seven-part panorama, 522
Victoria, British Columbia, 522–524
Far East
Burger, Wilhelm Joseph, 229–230
daguerreotypes, 795
ethnographic photography, 501–502
Kern, Edward Meyer, 795
Thomson, John, 502
Farmer, Ernest Howard, 524
physicists, 524
Farmer’s Reducer, 524
Fast gelatine halide dry plates, exposure, 516
Fauchery, Antoine, 99
Fawcett, Samuel, rotogravures, 801
Feertypes, 1161
Feminist scholarship, allegorical photography,
28
Fenton, Roger, 74, 524–528, 525, 682, 683,
896, 936, 1386
Albert, Prince Consort, 525
architectural photography, 527–528
art reproductions, 527
auctions, 96
biography, 528
British Museum, 65, 527
appointment as museum photographer,
216