I 41
INDEX
artists’ studies, 85–86
boundaries, 456
Braquehais, Auguste Bruno, 201, 202
Brigman, Anne W., 213
Carabin, François-Rupert, 270
children, 1014–1015
completely vs. partially nude, 1015
daguerreotypes, 548
drawing from nude model, 1013
Durieu, Jean-Louis-Marie-Eugène, 455,
456
Eakins, Thomas Cowperthwaite, 459–461,
1014, 1047
France, 548
Freud, Sigmund, 1013, 1014, 1015
Gouin, Alexis-Louis-Charles-Arthur,
599–600
history, 456
homoerotic nature, 1014
Malacrida, Jules, 887
Marconi, Gaudenzio
features, 889
specialized photographic studios, 889
substitute for live models, 889
uses, 889
Moulin, Félix-Jacques-Antoine, 945, 946
Plüschow, Peter Weiermair Wilhelm, 1139
overt homoerotica, 1139
pornography, differentiated, 1148
purposes behind their production, 1148
Rejlander, Oscar Gustav, 1014
Sambourne, Edward Linley, 1241
scientifi c photography, 1014
non-consensual nature, 1014
spectrum from chaste to obscene, 1013
tension between aesthetic and erotic
aspects, 1013
used by painters, 1046–1047
Vallou de Villeneuve, Julien, 1434–1436,
1435
von Gloeden, Baron Wilhelm, male nude
set in landscape of antiquity, 1457–
1458, 1458
Nutting, Wallace, 1015
American furniture, 1015
platinum prints, 1015
Nyblin, Agnes, 1010
Nyblin, Daniel, 531–532
marketing, 531–532
O
Obernetter’s ferrocupric process, 1156
Oblique aerial photograph, 12
Observer, 671–672
Oceania, see South Pacifi c
Odessa, Migurski, Karol Josef, 929
Oehme, Carl Gustav, 1021
Offset lithography, 865
Ogawa Kazumasa, 699, 1021–1022
Japan, 1021–1022
survey of Japanese cultural assets,
1021
publications, 1022
war photography, 1021
O’Keeffe, Georgia, Stieglitz, Alfred, 1342,
1343
Olie, Jacob, 989, 1022–1024
amateur photographers, 1022–1024
Amsterdam, 1022–1024
biography, 1024
city scenes, 1023–1024
industrial photography, 1023–1024
On the Intervention of Art in Photography
(Blanquart-Évrard, Louis Désiré), 181
On the Production of Photographs in
Pigments, containing Historical Notes
on Carbon Printing and Practical
Details of Swan’s Patent Carbon
Process (Simpson, George Wharton),
180
Oosterhuis, Pieter, 988, 1024–1026
biography, 1026
engineering photography, 1026
industrial photography, 1024–1026
landscape photography, 1026
Netherlands, 1024–1026
Opalotypes, 954, 1155
Oppenheim, August F., 1026
Optak, 314
Optical aids, 78
Optical fi rms
Bausch and Lomb, 121
Busch-Rathenow Company, 232
Optical-quality glass, manufacture, 1
Optical study, philosophical instruments, 1070
Opticians
Ackland, William, 3
Chevalier, Charles Louis, 288–290
Chevalier, Jacques Louis-Vincent, 288–290
Optics
Brewster, Sir David, 209, 210
principles, 1026–1029
Optische Industrie Anstalt, 232
Optisches Institut von Ernst Leitz, 841–842
Organic processes, positives, 1161
Organic substances, 858–859
Orientalism, 475, 690, 691, 1029–1032, 1031
Abdullah Fréres, 1032
defi ned, 1029
dry collodion process, 1030
ethnographic photography, 501–502
expedition photography, 1030
Fenton, Roger, 1030–1031, 1031
Fréchon, Emile, 554
Frith, Francis, 1031
gelatino-bromide emulsions, 1030
Istanbul photographers, 1032
Landrock, Ernst, 1032
Lehnert, Rudolph, 1032
Maison Bonfi ls, 1032
Middle East, 1029–1032
mission groups, 1030
Near East, 1029–1032
Orientalist fantasies, 19
popularity, 1029
Sébah, Pascal, 1032
subjects, 1030
travel, 1029–1030
Western domination, 1029
wet collodion process, 1030
Orlan, Pierre Mac, 347
Orthochromatic collodion-bath plates, 1098
Orthochromatic plates, Cadett and Heall Dry
Plate Ltd, 234
Orthochromatics, Vogel, Hermann Wilhelm,
1456
Orthochromatism, 1449
Orthoskop lens, 1068
Ortiz Echagüe, José, 557
O’Sullivan, Timothy Henry, 931, 1017–1020,
1019, 1428
biography, 1020
Brady, Mathew B., 1017
Civil War, 690, 1017, 1469
expedition photography, 1018–1020
landscape photography, 821
magnesium fl are, 1018
panoramas, 1018–1019stereographic views, 1018
survey photography, 1018–1020
war photography, 1017
Ottewill, Thomas & Co., 1033–1034
manufacturers of cameras and photographic
equipment, 1033–1034
Ottoman Empire, 1034–1040, 1035, 1035–
1037
Asia, 1034–1037
eastern women, 1036
European, 1037–1040
Ottoman studio owners, 1036
Persia, 1034–1037
photographic studies, 1035–1037
Ottoman studio owners, 1036
spread of photography, 1034–1037
Overstone, Lord, 1040
Owen, Hugh, 1040–1041
Calotype Club, founding member, 1041
Great Exhibition of 1851, photographic
record of objects in, 1040–1041
Oxymel process, collodion process, 867
Ozotypes, 1157
P
Pécarrère, Pierre Emile Joseph, 1089
Pacheco, Joaquim Insley, 1043
Brazil, 1043
Painted backdrops, patents, 303, 304
Painted photographs
India, 1444–1445
vernacular photography, 1444–1445
Painters, photography and
motion in, 1047
relationship, 1043–147, 1045
Paintings, art reproductions, 1104–1108, 1105
color photographs, 1107
commercially signifi cant part of
photographic market, 1105
disseminated, 1107–1108
to document collections, 1105
hybrid reprographic processes, 1107
illustration of art books, 1108
lantern slides, 1108
lighting, 1106–1107
limited spectral sensitivity, 1107
movable scaffold to photograph, 1106
museums appointed photographers, 1106
photographs of engravings after paintings,
1107
plethora of reprographic processes
available, 1105
print formats, 1108
retouching, 1107
sectors, 1104
South Kensington Museum, 1106
specialists in, 1106
technical problems, 1106–1107
used by painters to document their work,
1105
used to further cause of photography, 1106
Palais du Louvre et des Tuileries (Baldus,
Éduard Denis), 190
Palestine, 18, 475–477
Brogi, Giacomo, 217
Diness, Mendel John, fi rst indigenous
Jewish photographer, 605
Du Camp, Maxime, 477
ethnographic photography, 501–502
French photographers predominated,
477–478
Frith, Francis, 559
Keith, George Skene, 476
local-based professional studios, 477–478