506
1944 Memorial Exhibition, Royal Photographic So-
ciety, LondonSelected Group Exhibitions
1890 Royal Photographic Society Annual Exhibition,
London
1891 “At Home Portraits,” The Photographic Society,
London
1892 “Invitation Exhibition,” Camera Club, London
1894 Photographic Salon, London
1899 American Institute, New York
1901 London Photographic Salon
1903 F. Holland Day Studio, Boston
1906 Little Galleries of the Photo-Secession, New
York
1910 “International Exhibition of Pictorial Photogra-
phy,” Albright Gallery, Buffalo, N. Y.Selected Works
In Redland Woods, Surrey, platinum print, 1894 Lincoln, Stairs
in S. W. Turret, platinum print, 1895 Kelmscott Manor from
the Thames, platinum print, 1895 Lincoln Cathedral: From
the Castle, platinum print, 1896.
Kelmscott Manor: Attics No. 2, platinum print, 1896 A Sea of
Steps, platinum print, 1903.Selected Published Writings
“Photo-Micrography.” Photographic Journal, n. s., vol. 11, no.
3 (31 Dec. 1886), 25–28.
“Ely Cathedral.” Journal of the Camera Club, vol. 2, no. 130
(Mar. 1897), 46–47.
“Lincoln Cathedral.” Photographic Journal, n.s., vol. 24, no. 4
(23 Dec. 1899), 101–06.
“Opening Address.” Photographic Journal, n. s. vol. 24, no. 8
(30 Apr. 1900), 236–41.
Reprinted as “Frederick H. Evans on Pure Photography,” in Beau-
mont Newhall, ed. Photography: Essays & Images, Boston:
New York Graphic Society, 1980,177–84.
“Good Drawing in Photography.” in Photography, vol. 12, no.
600 (10 May 1900), 318.
“And What Went Ye Out for to See?” Photograms of the Year,
1903, 18–25.
“Artistic Photography in Lantern Slides.” Amateur Photographer,
vol. 37, no. 959 (19 Feb. 1903), 148–149. “Imitation: Is it
Necessary or Worth While?” Amateur Photographer, vol. 37,
no. 975 (11 June 1903), 75–78.
“Wells Cathedral.” Photography, vol. 16, no. 766 (18 July 1903),
65–67.
“Camera-Work in Cathedral Architecture.” Camera Work, no. 4
(Oct. 1903), 17–19.
“Notes on Three Examples of the Work of Robert Demachy.”
Amateur Photographer, vol. 38, no. 997 (12 Nov. 1903),
388, 390–93.
“A Short Walk in Gloucester Cathedral.” Photography, vol. 16,
no. 789 (26 Dec. 1903), 536–38.
“Odds and Ends.” Camera Work, no. 5 (Jan. 1904), 25–30.
“Painters and Photographers.” Photography, vol. 17, no. 796 (13
Feb. 1904), 125–26.“Notes on ‘An Open Door.’” Amateur Photographer, vol. 39, no.
1017 (31 Mar. 1904), 253–54.
“Pros and Cons. I.” Camera Work, no. 7 (July 1904), 21–24.
“Pictorial Pointers for Architectural Photographers,” The Practi-
cal Photographer, vol. 12 (Sept. 1904), 47–50.
“Pros and Cons. II.” Camera Work, no. 8 (Oct. 1904), 23–26.
“Glass Versus Paper.” Camera Work, no. 10 (Apr. 1905),
36–41.
See also: Lantern Slides; Photographic Exchange
Club and Photographic Society Club, London;
Platinum Print; Landscape; Pictorialism; and
Brotherhood of the Linked Ring.Further Reading
Camera Work: A Photographic Quarterly, 1903–1917, Reprint,
New York: Kraus Reprints, 1969.
Enyeart, James L., “Plain Prints from Plain Negatives,” in The
Romantic Château:
Architectural Photographs by Frederick H. Evans, published as
the Register of the Museum of Art, University of Kansas, vol.
4, no. 8 (Summer 1972) 4-11.
Evans, Frederick H., “Art in Monochrome,” Amateur Photog-
rapher, vol. 47, no. 1219 (11 Feb. 1908), 29–30, reprinted
in Ann Hammond, Frederick H. Evans: Selected Texts and
Bibliography, Boston: G. K. Hall, 1992, 101.
Fuller, John. “Frederick H. Evans as Late Victorian,” Afterimage,
vol. 4, no. 4 (October 1976), p. 6-7, 18.
Hammond, Anne. “Frederick Evans: The Spiritual Harmonies of
Architecture,” in Mike Weaver, ed., British Photography in the
Nineteenth Century, New York and Cambridge: Cambridge
University Press, 1989.
Hammond, Anne. “Frederick Evans’ Parish Churches for Country
Life,” History of Photography, vol. 16, no. 1 (Spring 1992),
p. 9-17.
Newhall, Beaumont, Frederick H. Evans: Photographer of the
Majesty, Light and Space of the Medieval Cathedrals of Eng-
land and France, Millerton, N.Y.: Aperture, 1973.
Pohlad, Mark, “The Stigma of Technical Perfection,” History of
Photography, vol. 16, no. 3 (Autumn 1992), 247–253.
Pohlad, Mark. “William Morris, Photography, and Frederick
H. Evans,” History of Photography, vol. 22, no. 1 (Spring
1998), 52–59.EXHIBITION OF THE WORKS OF
INDUSTRY OF ALL NATIONS, 1851:
REPORTS BY THE JURIES
The Great Exhibition held in Hyde Park in London
between May and October 1851 acted as a milestone
both for the rise of photography and for its position
within international industrialisation. It provided the
fi rst major display of photographs to have a signifi cant
effect on an international scale. It also spawned one
of the landmarks in 19th century photographically il-
lustrated books, the special presentation copies of the
four volume Report by the Juries. Great Exhibition of
the Work of Industry of All Nations published in London
by the Commissioners for the Exhibition of 1851 (Royal
Commission) in 1852.EVANS, FREDERICK HENRY
Hannavy_RT72353_C005.indd 506 7/5/2007 11:18:34 AM