613
and Robert Adamson; Hunt, Robert; Brewster, Sir
David; Atkins, Anna; Llewelyn, John Dillwyn; Jones,
Calvert Richard; Photographic Exchange Club and
Photographic Society Club, London; Prince Victoria,
Queen and Albert, Prince Consort; Fenton, Roger;
Rigby, Lady Elizabeth Eastlake; London Stereoscopic
Company; Robinson, Henry Peach; Rejlander, Oscar
Gustav; Tripe, Linnaeus; Cartes-de-Visite; Woodbury,
Walter Bentley; England, William; Eastman; Kodak;
and Brotherhood of the Linked Ring.
Further Reading
Anon., ‘Mason v. Heath,’ Photographic News, March 7, 1862,
116.
Anon., ‘Photographic Piracy,’ Photographic News, November
28, 1862, 566–7.
Armstrong, Carol, Scenes in a Library: Reading the Photograph
in the Book, 1843–1875, Cambridge, Mass.: The MIT Press,
1998.
Arnold, H.J.P., William Henry Fox Talbot: Pioneer of Photog-
raphy and Man of Science, London: Hutchinson Bentham,
1977.
Barton, Ruth, ‘“Men of Science”: Language, Identity and Pro-
fessionalisation in the Mid-Victorian Scientifi c Community,’
History of Science, vol. 41, pt. 1, no. 131, 2003, 73–119.
Berger, John X., ed. Helmut Gernsheim, Incunabula of British
Photographic Literature 1839–1875, London: Scolar Press,
1984.
Berman, Morris, ‘Hegemony and the Amateur Tradition in British
Science,’ Journal of Social History, no. 8, 1975, 30–50.
Bermingham, Ann, Learning to Draw: Studies in the Cultural
History of a Polite and Useful Art, New Haven: Yale Univer-
sity press, 2000.
Bloore, Carolyn, ‘The Circle of William Henry Fox Talbot,’
Mark Haworth-Booth ed. The Golden Age of British Pho-
tography 1839-1900, Aperture/Victoria & Albert Museum,
1984, 32–6.
[Brewster, Sir David], ‘Photogenic Drawing, or Drawing by the
Agency of Light,’ The Edinburgh Review, Volume LXXXVI,
No. CLIV, 1843, 309–344.
Buckland, Gail, Fox Talbot and the Invention of Photography,
London: London: Scolar Press, 1980.
Bunnell, Peter, ed., A Photographic Vision: Pictorial Photog-
raphy, 1889-1923, Salt Lake City: Peregrine Smith, Inc.,
1980.
Cameron, Julia Margaret, ‘Annals of my Glass House’ (1874),
B. Newhall ed., Photography: Essays and Images, London:
Secker & Warburg, 1981, 135–8.
Coe, Brian, George Eastman and the Early Photographers,
Priory Press, 1973.
Cox, Julian, ed., Ffotograffi aeth Cymreig Cynnar—Early Welsh
Photography, History of Photography, vol. 15, no. 3, 1991.
Darrah, William C., Cartes de Visite in Nineteenth Century Pho-
tography, Gettysburg, PA: W.C. Darrah, 1981.
Daston, Lorraine, and Peter Galison, ‘The Image of Objectivity,’
Representations, no. 40, Fall 1992, 81–128.
Deazley, Ronan, ‘Struggling with Authority: The Photograph
in British Legal History,’ History of Photography, vol. 27,
no.3, 2003, 236–46.
Dewan, Janet, ‘Linnaeus Tripe: Documenting South Indian
Architecture,’ History of Photography, vol. 13, no.2, 1989,
145–56.
‘Early British Photography in India,’ History of Photography,
vol. 16, no. 4, 1992.
Eastlake, Elizabeth, ‘Photography,’ (1857), Beaumont Newhall
ed., Photography: Essays & Images, London: Secker &
Warburg, 1980, 81–95.
Edwards, Elizabeth, ed., Photography and Anthropology 1860–
1920 , New Haven, Yale University Press, 1992.
Edwards, Steve, The Making of English Photography, Allegories,
Penn State University Press, 2006.
Emerson, P.H., Naturalistic Photography for Students of the Art,
London: Sampson Low & Co., 1889.
Emerson, P.H. and T.F. Goodall, Life and Landscape on the Nor-
folk Broads, London: Sampson Low & Co., 1887.
Green, David, ‘A Map of Depravity,’ Te n. 8, no. 18, 1985,
37–43.
Green, David, ‘Veins of Resemblance: Photography and Eugen-
ics,’ Patricia Holland et al., eds, Photography/Politics: Two,
London: Comedia/Photography Workshop, 1986, 9–21.
Haworth-Booth, Mark, ed., The Golden Age of British Photogra-
phy 1839–1900, Aperture/Victoria & Albert Museum, 1984.
Haworth-Booth, Mark, Camille Silvy: River Scene, France,
Malibu: Getty Museum Studies on Art, 1992.
Harker, Margaret, The Linked Ring: The Secession Movement in
Photography in Britain, 1892–1910, London: Heinemann,
1979.
Height, E. and G. Sampson eds., Colonialist Photography:
Imag(in)ing Race and Place, London: Routledge, 2002.
Heilbrun, Françoise, ‘Around the World: Explorers, Travellers,
and Tourists,’ Michel Frizot ed., A New History of Photogra-
phy, Könemann, 1998, 149–66.
Hemingway, Andrew, Landscape Imagery and Urban Culture
in Early Nineteenth-Century Britain, Cambridge University
Press, 1992.
Hughes, C. Jabez, ‘Art-Photography: Its Scope and Characteris-
tics,’ Photographic News, January, 1861, 2–3.
Hughes, Jabez, ‘Photography as an Industrial Occupation for
Women,’ British Journal of Photograph, May, 9, 1873,
222–3.
Hunt, Robert, A Popular Treatise on the Art of Photography,
Glasgow: Griffen, 1841.
James, Peter, ‘Evolution of the Photographic Record and Survey
Movement, c. 1890–1910,’ History of Photography, vol.12,
no.3, 1988, 205-18.
Keeler, Nancy, ‘Inventors and Entrepreneurs,’ History of Pho-
tography, vol. 26, no. 1, 2002, 26–33.
Kemp, Martin, ‘Talbot and the Picturesque View: Henry, Caro-
line and Constance,’ History of Photography, Vol. 21, no. 4,
1997, 270–82.
Lee, David, ‘The Victorian Studio: 1’ British Journal of Photog-
raphy, February 7, 1986, 152–56, 165; ‘The Victorian Studio:
2’ British Journal of Photography, February 14, 1986, 188
–90, 195, 199.
Linkman, Audry, The Victorians: Photographic Portraits, Lon-
don: Tauris Parke Books, 1993.
McGrath, Roberta, ‘Medical Police,’ Ten. 8, no. 14, 1984,
13–18.
McGrath, Roberta, Seeing Her Sex: Medical Archives and the
Female Body, Manchester: Manchester University Press,
2002.
McWilliam, Neil and Veronica Sekules eds, Life and Land-
scape: P.H. Emerson: Art and Photography in East Anglia
1885–1900, Norwich: Sainsbury Centre for the Visual Arts,
University of East Anglia.
Morrell, Jack and Arnold Thackray, Gentlemen of Science: The
Early Years of the British Association for the Advancement of
Science, London: Oxford University Press, 1981.