Hannavy_RT72353_C000v1.indd

(Wang) #1

708


Boulouch, Nathalie, Albert Londe, positions autochromistes,
Etudes photogaphiques, n° 6, Mai 1999, Paris: Société fran-
çaise de photographie, 1999.
Brewster, David, The Stereoscope, its history, theory and con-
struction: John Murray, 1856, facsimile published by Morgan
and Morgan.
Buckland, Gail, Reality Recorded: Early Documentary Photog-
raphy. New York Graphic Society.
Busse, Jacques, Dictionaire de peintres, sculpteurs, desinateurs
en graveurs de tous les temps et de tous un group d’écrivains
specialists français et étrangers (tome 4), Paris: Gründ,
1999.
Coe, Brian, The Birth of Photography, London: Ash & Grant,
Limited, 1976.
Coe, Brian, Cameras: From Daguerreotypes to Instant Pictures.
Crown Publishers 1978.
Coke, Van Deren, The Painter and the Photographer, From Dela-
croix to Warhol. University of New Mexico Press.
Daval, Jean-Luc, Photography: History of an Art. New York:
Rizzoli International Publications.
Eder, Josf Maria, History of Photography. New York: Dover
Publications, 1945.
Emerson, Peter Henry, Naturalistic Photography for Students of
the Art (1899). Reprinted Arno Press.
Fabian, Ranier et al., Masters of Early Travel Photography.
Vendome Press.
Font-Reaulx, Dominique de, L’art de nu au XIXième siècle: le
photographe et modèle, Hazan, Bibliothèque Nationale de
France, 1997
Ford, Colin (ed.), An Early Victorian Album: The Photographic
Masterpieces (1843–47) of David Octavius Hill and Robert
Adamson. New York: Alfred Knopf.
Frizot, Michel (ed.), Nouvelle Histoire de la Photographie, Paris:
Bordas, 1994.
Gernsheim, Helmut and Alison, The origins of photography,
London: Thames and Hudson, 1982.
Gernsheim, Helmut and Alison, The History of Photography.
New York: McGraw Hill.
Gernsheim, Helmut, Julia Margaret Cameron: Pioneer of Pho-
tography. Aperture.
Gernsheim, Helmut, The Concise History of Photography.
Thames & Hudson, 1986.
Goodridge, L. et al., The Face of China as Seen by Photographers
and Travellers, 1860–1912. Millerton, NY: Aperture.
Hannavy, John, Fox Talbot. Shire Publications.
Hannavy, John, Roger Fenton of Crimble Hall. Boston: David
Godine.
Harker, Margaret, The Linked Ring: The Secession Movement in
Photography in Britain. Heineman.
Heilbrun, Françoise (ed.), L’invention d’un regard (1839–1918),
Paris: Musée d’Orsay/Bibliothèque nationale, 1989.
Hercock, R, and Jones, G, Silver by the Ton: A History of Ilford
Limited 1879–1979. McGraw-Hill.
Hirsch, Robert, Seizing the Light, a history of photography,
Boston: McGraw Hill, 2000.
Hopkinson, Tom, Treasures of the Royal Photographic Society,
1839–1919. Focal Press.
Jay, Bill, Bernard Shaw on Photography: Equation, Welling-
borough.
Jay, Bill, Robert Demachy; 1859–1936: Photographs and Essays.
Academy Edition.
Jay, Bill, Victorian Cameraman: Francis Frith’s views of rural
England, 1850–1898. David & Charles.


Jay, Paul (ed.), Les calotypes du fonds d’Iray, Chalon-Sur-Saône:
Musée Nicéphore Niépce, 1983.
Jones, Edgar, Father of Art Photography, O.G.Rejlander 1813–
1875. New York Graphic Society.
Joseph, Steven, Schwilden, Tristan, Claes, Marie-Christine,
Directory of photographers in Belgium 1839–1905, vol. I,
Antwerpen: Uitgeverij C. de Vries-Brouwers, 1997.
Kempe, Fritz, Daguerretypie in Deutschland: vom Charme der
frühen Fotografi e, Seebruck am Chiemsee hering Verlag,
1979.
Langford, Michael, The Story of Photography. Focal Press, 1980.
A concise and interestingly written book.
Launay, Françoise, Dans les champs des étoiles, les photographes
et le ciel 1850–2000, Paris: Musée d’Orsay, 2000.
Le Rider, Georges, Une invention du XIXe siècle, expres-
sionet technique, la photographie, collection de la société
française de photographie, Paris: Bibliothèque Nationale,
1976.
Lemagny Jean-Claude, Sayag, Alain, L’invention d’un art, Paris:
Centre Georges Pompidou, 1989.
Lewinski, Jorge, A history of nude photography, the naked and
the nude, London: Weidenfeld & Nicolson, 1987.
Lloyd, Valerie, Photography: the fi rst eighty years, London:
Colnaghi. Long out of print, this is a fascinating and compre-
hensive account of the technical developments of photography
up to 1900.
Marien, Mary Warner, Photography. A Cultural History, London:
Laurence King Publishing, 2002.
Martin, Elizabeth, Collecting and Preserving old photographs.
Collins.
Newhall, Beaumont (ed.), Photography: Essays and Images.
USA: Museum of Modern Art.
Newhall, Beaumont, Latent Image: The Discovery of Photogra-
phy. Doubleday.
Newhall, Beaumont, The History of Photography from 1839 to
the Present. Secker and Warburg, 1986.
Pollack, Peter, Picture History of Photography. New York: Harry
Abrams.
Riis, Jacob, How the Other Half Lives: Studies among the
Tenements of New York (1890). Reprinted New York: Dover
Publications.
Rosenblum, Naomi, A World History of Photography, 3rd ed.,
Aberville Press, 1997.
Sharf, Aaron, Art and Photography, Allen Lane.
Sharf, Aaron, Pioneers of Photography, Harry Abrams.
Sipley, Louis Walton, Photographer’s Great Inventors, Philadel-
phia: American Museum of Photography, 1965.
Strauss, Victor, The lithographers manuel, Vol. I & II, New York:
Waltwim Publishing Co., 1958.
Swinnen, Johan, De paradox van de fotografie, Uitgeverij
Hadewijch/Cantecleer, Antwerpen, 1992.
Thomas, David B.. The First Negatives. London: HMSO,
1964.
Tréfeu, Etienne, Nos marins, Paris: Berger-Levrault, 1888.
Turner, Jane (ed.), Dictionary of Art, vol. 8, M London: acmil-
lan, 1996.
Vercheval George, Pour une Histoire de la Photographie en
Belgique, Charleroi: Musée de la Photographie, 1993.
Welling, William, Photography in America. The Formative
Years 1839–1900, Albuquerque: University of New Mexico
Press, 1978.
Witkin, Lee D. (ed.), The photograph collector’s guide, London:
Secker & Warburg, 1979.

HISTORY: 8. 1890s

Free download pdf