The Cognitive Neuroscience of Music
THE COGNITIVE NEUROSCIENCE OF MUSIC Isabelle Peretz Robert J. Zatorre Editors OXFORD UNIVERSITY PRESS ...
THE COGNITIVE NEUROSCIENCE OF MUSIC Zat-fm.qxd 6/5/03 11:16 PM Page i ...
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THE COGNITIVE NEUROSCIENCE OF MUSIC Edited by ISABELLE PERETZ Départment de Psychologie, Université de Montréal, C.P. 6128, Succ ...
Great Clarendon Street, Oxford Oxford University Press is a department of the University of Oxford. It furthers the Univ ...
PREFACE Over the past decade there has been an explosion in research activities on music perception and performance, and their c ...
vi value of music as a means of studying perception, memory, attention, and performance (see Refs 2–5 for the three benc ...
CONTENTS List of contributors page xi Part I The origins of music 1 Musical predispositions in infancy: an update page 3 Sandra ...
viii 11 The neural processing of complex soundspage 168 Timothy D. Griffiths Part IV Musical brain substrates 12 Music ...
ix Part VI Relation of music to other cognitive domains 27 The sounds of poetry viewed as music page 413 Fred Lerdahl 2 ...
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LIST OF CONTRIBUTORS Eckart O. Altenmüller Institut für Musikphysiologie und Musiker-Medizin der Hochschule für Musik und Theate ...
Carol L. Krumhansl Department of Psychology, Cornell University, Ithaca, New York 14853, USA Fred Lerdahl Department of Music, 6 ...
Barbara Tillmann Université Claude Bernard Lyon 1, Laboratoire Neurosciences et Systèmes Sensoriels, CNRS-UMR 5020, 50 Avenue To ...
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THE ORIGINS OF MUSIC ...
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1 MUSICAL PREDISPOSITIONS IN INFANCY: AN UPDATE . For contributors to this volume on the cognitive neuros ...
Miller,^14 by contrast, considers music to exemplify many of the classic criteria for a complex human adaptation: (1) No culture ...
to the loudspeaker when they consider the comparison pattern to be different from the standard pattern (i.e. response ofdifferen ...
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