The Cognitive Neuroscience of Music

(Brent) #1

References


1.Rangacharya, A.(1966) Introduction to Bharata’s Natya-Sastra. Bombay, India: Popular
Prakashan.
2.Nadel, S.(1930) The Origin of Music.Musical Q16, 531–46.
3.Leroi-Gourhan, A.(1988) Le geste et la parole. I: La mémoire et les rythmes. Sci. d’aujourd’hui.
Paris: Albin-Michel.
4.Chomsky, N.(1957) Syntactic Structures. The Hague, the Netherlands: Mouton and Co.
5.Bickerton, D.(2000) Can biomusicology learn from language evolution studies? In N. L. Wallin,
B. Merker and S. Brown (eds) The Origins of Music. Cambridge, MA: MIT Press, pp. 153–64.
6.Wallin, N. L., B. Merker, and S. Brown(eds) (2000) The Origins of Music. Cambridge, MA: MIT
Press.
7.Darwin, C.(1871) The Descent of Man, and Selection in Relation to Sex.London:Murray.
8.Descartes, R.(1618/1987) Abrégé de musique. Compendium musicae. Épiméthée. Paris: P.U.F.
9.Rousseau, J. J.(1781/1993) Essai sur l’origine des langues. Paris, France: Flammarion.
10.Spencer, H.(1857) The origin and function of music.Fraser’s Mag. 56, 396–408.
11.Brown, S.(2000) The ‘musilanguage’model of music evolution. In N. L. Wallin, B. Merker, and
S. Brown (eds) The Origins of Music. Cambridge, MA: MIT Press, pp. 271–300.
12.Molino, J.(2000) Toward an evolutionary theory of music and language. In N. L. Wallin,
B. Merker, and S. Brown (eds) The Origins of Music. Cambridge, MA: MIT Press, pp. 165–76.
13.Sloboda, J. A.(2000) Individual differences in music performance.Trends Cognit. Sci.4,397–403.
14.Blacking, J.(1973) How Musical is Man? Seattle: University of Washington Press.
15.Schön, A.and D. Schön(1999) Il potere del suono e della musica.Fuga a più voci. Psiche 1 – 2, 159–65.
16.Kubik, G.(1969) Composition techniques in Kiganda xylophone music.Afr. Music J.4,22–72.
17.Arom, S.(2000) Prolegomena to a biomusicology. In N. L. Wallin, B. Merker, and S. Brown (eds)
The Origins of Music. Cambridge, MA: MIT Press, pp. 27–30.
18.Pinker, S.(1994) The Language Instinct: How the Mind Creates Language.New York:Harper
Perennial.
19.Pacherie, E.(1999) Philosophie et sciences cognitives. In J. F. Mattéi (ed.) Encyclopédie
Philosophique Universelle. Paris: PUF.
20.Chomsky, N.(1988) Language and Problems of Knowledge: The Managua Lectures. Cambridge,
MA: MIT Press.
21.Chomsky, N.(1991) Linguistics and cognitive science: problems and mysteries. In A. Kasher (ed.)
The Chomskyan Turn. Cambridge, MA: Basil Blackwell, pp. 26–53.
22.François, J.(1998) Grammaire fonctionnelle et dynamique des langues—de nouveaux modèles
d’inspiration cognitive et biologique.Ve r b u mXX, 233–56.
23.Aiello, R.(1994) Music and language: parallels and contrasts. In R. Aiello and J. Sloboda (eds)
Musical Percep. New York, NY: Oxford University Press, pp. 40–63.
24.Jakobson, R.(1973) Essais de linguistique générale. II. Rapports internes et externes du langage.
Editions de Minuit, Arguments. Paris.
25.Meyer, L.(1956) Emotion and Meaning in Music. Chicago, IL: University of Chicago Press.
26.Kivy, P.(1991) Music Alone. Philosophical Reflection on the Purely Musical Experience.New York:
Cornell Paperbacks.


290     

Free download pdf