The Fill Light: To Lighten Shadows
Fill light adds light to shadows. When you look at a contrasty scene, your eye auto-
matically adjusts for differences in brightness. As you glance from a bright to a
shadowed area, the eye’s pupil opens up to admit more light. Film, however, cannot
make such adjustments—it can record detail and texture in brightly lit areas or in
deeply shadowed ones, but generally not in both at the same time. If important
shadow areas are much darker than lit areas—for example, the shaded side of a per-
son’s face in a portrait—consider whether adding fill light will improve your picture.
Fill light is most useful with color transparencies. As little as two stops difference
between lit and shaded areas can make shadows very dark, even black.
Fill light can also be useful with black-and-white materials. In a black-and-white
portrait of a partly shaded subject, shadows that are two stops darker than the lit
side of the face will be dark but still show full texture and detail. But when shadows
become three or more stops darker than lit areas, fill light becomes useful. You can
fix these problems by adding fill light, rather than try to lighten a too-dark shadow
prior to printing.
CHAPTER 21 LIGHTING 319
FIGURE 21.15
Back lighting.