information while resulting in a black-and-white image. The file will be larger, but
you can then colorize the image in different channels—a more advanced technique
to try on your own.
Another option for Photoshop and more advanced image-editing software users is to
convert the image from RGB to LAB mode and then remove the A and B channels,
leaving only the Luminance channel. This often produces superior results to the
bland Image, Mode, Grayscale method. In LAB mode, brightness information is sep-
arated completely from color information. If your imaging-editing application has
LAB mode capabilities, follow these simple steps to create a great-looking black-and-
white image from color:
- Open a color image and choose File, Save As. Save the image with a new
name to preserve the original. - Choose Image, Mode, LAB.
- Open the Channels window by choosing Window, Channels or by clicking on
the Channels tab. - Click on the A channel and then drag it into the Trash (delete it). Click Yes
when Photoshop asks whether you would like to flatten layers. - Delete the second channel (called Alpha 2) that results. You should be left
with only one channel called Alpha 1. - Convert the image to grayscale by choosing Image, Mode, Grayscale (see
Figure 22.4). You now can save the image as a JPEG or TIFF file.
CHAPTER 22 THE PORTRAIT 329
FIGURE 22.4
On the left,
image was con-
verted using
Image, Mode,
Grayscale; the
right image was
converted using
LAB mode.
Notice the clar-
ity and contrast
in the right
image.