ABSTRACT
Somalia has been a Muslim country probably for over
a thousand years and has a well developed Sufi movement
"\vhich plays an important social role and has been a
stimulus to creativity in the field of poetry composed
both in Arabic and in Somali. Somali Sufis have always
regarded Arabic, the sacred language of Islam, with great
love and reverence, yet they have found it unsuitable as
a means of reaching wider audiences, since only a limited
number of Somalis can fully understand it.
Inspired by the desire to communicate their spiritual
fervour and their knowledge of Islamic doctrines to every-
one, Somali Sufis have composed oral poetry in their
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mother tongue and used it as a form of religious instruction
and praye'r. The appeal of their poetry to Somali audience
lies in the cultural syncretism which it represents. Its
themes are taken from the universal teaching of Islam and
from Sufism while its imagery is predominantly drawn from
the natural environment and traditional culture of Somalia.
Furthermore, it follows the pattern of versification used
in secular alliterative poetry, which is totally unaffected
by the Arabic models of scansion.
The secular alliterative poetry has a long tradition
and is a living all-pervasive force in Somali culture;
Somali Sufis have thus used a well established channel of
artistic communication to convey their spiritual message.
Their success has been considerable and their poetry in
Somali, far from waning under the impact of the modern age,
has been increasing in its popularity even in recent years.
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