SUFI POETRY IN SOMALI

(Chris Devlin) #1

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266.

among the Arussi. A possible connection with the


Arabic root b-l-y need not be due to borrowing


but to proto~Hamito-Semitic derivation. See


Andrzejewski 1972, pp. 9-10.

See Cerulli 1957, pp. 147-151.


See Lewis 1955-56, p. 594.
See BUKHARI, p. 28.

See Cerulli 1957, pp. 147-151, Andrzejewski and


Lewis 1964, pp. 150-167 and Andrzejewski 1974a,
pp. 37-40 and 45-48.
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1. These poems have been dealt with in a paper delivered


at the Centre of African Studies of the School of


Oriental and African Studies during a seminar on


Islamic influences on the literary cultures of


Africa. The seminar was held on 6th June, 1968.


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  1. Sitaad is a form of Sufi poetry which is composed


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by Somali women in praise of women saints. The word


sitaad is derived from the colloquial Arabic word


STTKT (the plural of SITAH) which means women.


I." Maxamed Xaashi Dhamac(see References) has written


a series of articles, the first of which I have


quoted here, in the Somali daily Xiddigta Oktoobar.


In these articles, he examines the Somali metres


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and of his formulates ideas about his the own observations. nature of Somali Although poetry and some


its prosody have recently come under attack (see
Xiddigta Oktoobar 1976, No. 4/108), his major con-
clusions about the Somali metres remain unchallenged;

and his method and approach are undoubtedly a break


through in the studies of the Somali scansion. For


further detail see Xiddigta Oktoobar 17. 1. 1976,
No. 425/3.


  1. Dhamac This type as of sagaal1~·1 jiifto is the referred one which to by has Maxamcd nine uni Xaashi ts I.
    The longer version is tobanley 'the one which has ten


uni ts I •


~. Note that I have transposed two lines so that the trans-


lation would flow clearly and smoothly.

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