fashion images are actually shot this way because of the way the harder light
enhances the texture of the clothing. In this situation, it is best to have the
model look away from the sun or at least down. Generally speaking, if a pho-
tograph calls for bright light with contrast, it is best to schedule the shoot for
the golden hour (see page 34).
Photograph4-7showswhat,whengiventhechoice,ismyfavoritesolution
to this lighting situation. This is a combination of sunlight with fill flash. It is
the most technically challenging to accomplish and make look natural, but it
provides the photographer with the most control. The principle is this: the
sunlight exposes the majority of the image; therefore, you set your exposure
for the sunlight. Then, you add an auxiliary flash to fill in (lighten) the shad-
ows to whatever degree you desire. You let the sunlight contour the model’s
body and use the flash to reduce the negative effects of sunlight on imper-
fections. This also allows the model to look away from the sun, eliminating
squinting.
Photograph4-8wasshotunderanovercastskywiththeuseofaflash.This
combination gives the photographer the softness of the cloud-covered sun-
TYPES OF LIGHT SOURCES 59
4-7(left).Adding fill flash allows you to
create a more flattering effect.
4-8(right).Here, cloud-covered skies
paired with flash create a good lighting
scenario.