marcin
(Marcin)
#1
notwithstanding the persistence of an
essentially pessimistic atmosphere, can be
found in the two poems recently combined
into an art chapbook, Passeggiate ortonesi,
1992, dominated by the presence-absence of
his life companion, Isabella, whose death
placed a seal of love and death on the events
of a lifetime.
As for style and expressiveness,
Alessandro Dommarco’s poetry offers one of
the highest achievements of modern poetry
for the extremely refined use of words, both
at the phonetic and semantic level, the
accurate morphological-syntactical structure,
the transparency of images even through the
complexity of analogical relationships, the
density and, at the same time, the clarity of
the symbolical-metaphorical allusions. One
should add, finally, that the adoption of
blank hendecasyllables, so rare in the